Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Introduction
- 131 Manuscripts Containing Texts by Shakespeare
- 132 Allusions
- 133 Shakespeare and Company in Court Records
- 134 Experiences of Performance: Firsthand Accounts of Theater
- 135 Scandals: Essex, Cobham, and Others
- 136 Shakespeare and Renaissance Aesthetics
- 137 Shakespeare’s Early Reception in Europe
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
Introduction
from Part XIV - Shakespeare’s Early Reception (to 1660)
Published online by Cambridge University Press: 17 August 2019
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Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Introduction
- 131 Manuscripts Containing Texts by Shakespeare
- 132 Allusions
- 133 Shakespeare and Company in Court Records
- 134 Experiences of Performance: Firsthand Accounts of Theater
- 135 Scandals: Essex, Cobham, and Others
- 136 Shakespeare and Renaissance Aesthetics
- 137 Shakespeare’s Early Reception in Europe
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
Summary
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- Information
- The Cambridge Guide to the Worlds of Shakespeare , pp. 973 - 986Publisher: Cambridge University PressPrint publication year: 2016
References
Sources cited
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Further reading
Altman, Joel. The Tudor Play of Mind: Rhetorical Inquiry and the Development of Elizabethan Drama. Berkeley: U of California P, 1978.Google Scholar
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Halasz, Alexandra. The Marketplace of Print: Pamphlets and the Public Sphere in Early Modern England. Cambridge: Cambridge University Press, 1997.CrossRefGoogle Scholar
Kiernan, Pauline. Staging Shakespeare at the New Globe. New York: St. Martin’s, 1999.CrossRefGoogle Scholar
Love, Harold. Scribal Publication in Seventeenth-Century England. Oxford: Oxford UP, 1993.Google Scholar
Sharpe, Kevin. Reading Revolutions: The Politics of Reading in Early Modern England. New Haven: Yale UP, 2000.Google Scholar
Sherman, William H. Used Books: Marking Readers in Renaissance England. Philadelphia: U of Pennsylvania P, 2008.Google Scholar
Straznicky, Marta, ed. The Book of the Play: Playwrights Stationers, and Readers in Early Modern England. Amherst: U of Massachusetts P, 2006.Google Scholar