Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Introduction
- 159 Shakespeare Festivals and Jubilees
- 160 Shakespeare Behind Bars
- 161 The Folger Shakespeare Library
- 162 Global Diasporas as Reflected in the Work of Keng Sen Ong
- 163 Bollywood
- 164 Shakespeare and First Nations in Canada
- 165 Shakespeare in British Pedagogy
- 166 Coriolanus in South Africa
- 167 The Stratford Shakespeare Trade
- 168 Middle Eastern Shakespeare
- 169 Shakespeare and German Romanticism
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
161 - The Folger Shakespeare Library
from Part XVII - Shakespeare as Cultural Icon
Published online by Cambridge University Press: 17 August 2019
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Edited in association with
Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Introduction
- 159 Shakespeare Festivals and Jubilees
- 160 Shakespeare Behind Bars
- 161 The Folger Shakespeare Library
- 162 Global Diasporas as Reflected in the Work of Keng Sen Ong
- 163 Bollywood
- 164 Shakespeare and First Nations in Canada
- 165 Shakespeare in British Pedagogy
- 166 Coriolanus in South Africa
- 167 The Stratford Shakespeare Trade
- 168 Middle Eastern Shakespeare
- 169 Shakespeare and German Romanticism
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
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Keywords
Adams, Joseph QuincyAmericaAmherst CollegeCarnegie, AndrewCret, Paul PhilippeEmerson, Ralph WaldoFirst FolioFolger, Emily JordanFolger, Henry ClayFurness, Horace HowardGayley, Charles MillsHardison, O. B.Library of CongressPuckPutnam, BrendaPutnam, HerbertQuartoRockefeller, John D.Standard Oil CompanyUS Supreme CourtWashington, D.C.Wright, Louis B.
- Type
- Chapter
- Information
- The Cambridge Guide to the Worlds of Shakespeare , pp. 1207 - 1212Publisher: Cambridge University PressPrint publication year: 2016
References
Sources cited
Borgman, Albert. Crossing the Post-Modern Divide. Chicago: U of Chicago P, 1992.CrossRefGoogle Scholar
Bristol, Michael. Shakespeare’s America/America’s Shakespeare. London: Routledge, 1990.Google Scholar
Emerson, Mary Moody. The Selected Letters of Mary Moody Emerson. Ed. Simpson, Nancy Craig. Athens: U of Georgia P, 1993.Google Scholar
Emerson, Ralph Waldo. Essays and Journals, selected and with an introd. by Mumford, Lewis. Garden City: International Collectors Library, 1968.Google Scholar
Emerson, Ralph Waldo. “Shakspeare; Or, The Poet.” Representative Men: Seven Lectures. The Complete Works of Ralph Waldo Emerson: Centenary Edition. 12 vols. 1904. Vol. 4. www.rwe.org/complete-works/iv---representative-men.html.Google Scholar
Emerson, Ralph Waldo. “The Superlative or Mental Temperance.” Lectures and Biographical Sketches. Boston: Houghton Mifflin, 1904.Google Scholar
Hyde, Lewis. The Gift: Imagination and the Erotic Life of Property. New York: Vintage Books, 1979. 40–56.Google Scholar
Kates, Susan. Activist Rhetorics and American Higher Education, 1885–1937. Carbondale: Southern Illinois UP, 2001.Google Scholar
Lowell, James Russell. “Thoreau.” In My Study Windows. Boston: Houghton Mifflin, 1883.Google Scholar
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Further reading
Kane, Betty Ann. The Widening Circle: The Story of the Folger Shakespeare Library and Its Collections. Washington: Folger Shakespeare Library, 1976.Google Scholar
King, Stanley. Recollections of the Folger Shakespeare Library. Ithaca: Cornell UP, 1950.Google Scholar
Sturgess, Kim C. Shakespeare and the American Nation. Cambridge: Cambridge University Press, 2004.CrossRefGoogle Scholar
Wright, Louis. The Folger Library: Two Decades of Growth. Charlottesville: U of Virginia P, 1968.Google Scholar