Skip to main content Accessibility help
×
Hostname: page-component-586b7cd67f-2plfb Total loading time: 0 Render date: 2024-11-25T10:06:30.668Z Has data issue: false hasContentIssue false

Chapter 11 - Women and Comics

Politics and Materialities

from Part II - Readings

Published online by Cambridge University Press:  17 August 2023

Maaheen Ahmed
Affiliation:
Universiteit Gent, Belgium
Get access

Summary

Countering popular assumptions about comics being made for and by men, this chapter begins by offering a brief alternative comics history focusing on women artists, covering comics production from the mainstream to the underground. Taking cues from recent exhibitions on women artists and comics history by women authors and artists, the chapter provides insight into the different contexts and communities, covering political cartoonists and illustrators, mainstream and underground artists.

The second half of the chapter focuses on the graphic novel and examines works by Lynda Barry and a new generation of women comics artists, Ebony Flowers and Weng Pixin. It elaborates on the possibilities of reading the graphic novels in light of the rich history of women artists and comics storytelling, building bridges between individual and collective stories while pointing out the innovations unfolding through drawing, writing, and collage.

Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2023

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Primary Sources

Barry, Lynda. Syllabus: Notes from an Accidental Professor. Drawn & Quarterly, 2014.Google Scholar
Barry, Lynda. One! Hundred! Demons! Drawn & Quarterly, 2019.Google Scholar
Barry, Lynda. What It Is. Drawn & Quarterly, 2019.Google Scholar
Barry, Lynda. Making Comics. Drawn & Quarterly, 2019.Google Scholar
Flowers, Ebony. Hot Comb. Drawn & Quarterly, 2019.Google Scholar
Pixin, Weng. Let’s Not Talk Anymore. Drawn & Quarterly, 2021.Google Scholar

Secondary Sources

Beineke, Colin. “On Comicity.” Inks, vol. 1, no. 2, 2017, pp. 226253.Google Scholar
Berlatsky, Noah. Wonder Woman: Bondage and Feminism in the Marston/Peter Comics, 1941–1948. Rutgers University Press, 2017.Google Scholar
Brunet, Peyton and Davis, Blair. Comic Book Women: Characters, Creators and Cultures in the Golden Age. University of Texas Press, 2022.Google Scholar
Chaney, Michael A., ed. Graphic Subjects: Critical Essays on Autobiography and Graphic Novels. University of Wisconsin Press, 2011.Google Scholar
Chute, Hillary L. Graphic Women: Life Narrative and Contemporary Comics. Columbia University Press, 2010.Google Scholar
Gardner, Jared. “StorylinesSubstance, vol. 124, 2010, pp. 5369.Google Scholar
Goldstein, Nancy. Jackie Ormes: The First African-American Woman Cartoonist. University of Michigan Press, 2019.Google Scholar
Grennan, Simon, Sabin, Roger, and Waite, Julian. Marie Duval: Maverick Victorian Cartoonist. Manchester University Press, 2020.CrossRefGoogle Scholar
Kirtley, Susan. Lynda Barry: Girlhood through the Looking Glass. University Press of Mississippi, 2012.CrossRefGoogle Scholar
Kirtley, Susan. Typical Girls: The Rhetoric of Womanhood in Comic Strips. Ohio State University Press, 2021.CrossRefGoogle Scholar
Kunzle, David. “Marie Duval: A Caricaturist Rediscovered. Women’s Art Journal, vol. 7, no. 1, 1989, pp. 2631.Google Scholar
Lepore, Jill. The Secret History of Wonder Woman. Vintage Books, 2014.Google Scholar
McNamara, Nathan Scott and Flowers, Ebony. “A Place Where Past, Present, and Future Come Together: Ebony Flowers on Hot Comb.” Los Angeles Review of Books, 13 July 2019. https://blog.lareviewofbooks.org/interviews/space-past-present-future-come-together-ebony-flowers-hot-comb/ Accessed 3 August 2022.Google Scholar
Misemer, Leah and Barry, Lynda. “Teaching the Unthinkable Image: An Interview with Lynda Barry.” With Great Power Comes Great Pedagogy: Teaching, Learning and Comics. Edited by Kirtley, Susan, Garcia, Antero, and Carlson, Peter E.. University Press of Mississippi, 2020, pp. 168184.Google Scholar
Robbins, Trina. From Girls to Grrrlz: A History of Women’s Comics from Teens to Zines. Chronicle Books, 1999.Google Scholar
Robbins, Trina. Pretty in Ink: North American Women Artists, 1896–2013. Fantagraphics, 2013.Google Scholar
Robbins, Trina. Last Girl Standing. Fantagraphics, 2017.Google Scholar
Sabin, Roger. “Ally Sloper: The First Comics Superstar?Image [&] Narrative, vol. 4, no. 1, 2003, www.imageandnarrative.be/inarchive/graphicnovel/rogersabin.htm. Accessed 3 August 2022.Google Scholar
Sammond, Nicholas. Birth of an Industry: Blackface Minstrelsy and the Rise of American Animation. Duke University Press, 2015.Google Scholar
Streeten, Nicola. UK Feminist Comics and Cartoons: A Critical Survey. Palgrave, 2020.Google Scholar
Streeten, Nicola and Cath, Tate. The Inking Woman: 250 Years of British Women Cartoon and Comic Artists. Myriad Editions, 2018.Google Scholar
Szép, Eszter. Comics and the Body: Reading, Drawing and Vulnerability. Ohio State University Press, 2020.Google Scholar
Whaley, Deborah E. Black Women in Sequence: Re-inking Comics, Graphic Novels, and Anime. University of Washington Press, 2015.Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • Women and Comics
  • Edited by Maaheen Ahmed, Universiteit Gent, Belgium
  • Book: The Cambridge Companion to Comics
  • Online publication: 17 August 2023
  • Chapter DOI: https://doi.org/10.1017/9781009255653.015
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Women and Comics
  • Edited by Maaheen Ahmed, Universiteit Gent, Belgium
  • Book: The Cambridge Companion to Comics
  • Online publication: 17 August 2023
  • Chapter DOI: https://doi.org/10.1017/9781009255653.015
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Women and Comics
  • Edited by Maaheen Ahmed, Universiteit Gent, Belgium
  • Book: The Cambridge Companion to Comics
  • Online publication: 17 August 2023
  • Chapter DOI: https://doi.org/10.1017/9781009255653.015
Available formats
×