Skip to main content Accessibility help
×
Hostname: page-component-586b7cd67f-t8hqh Total loading time: 0 Render date: 2024-11-22T13:44:06.357Z Has data issue: false hasContentIssue false

Part V - Expanding Form

Published online by Cambridge University Press:  06 June 2024

Ann Vickery
Affiliation:
Deakin University, Victoria
Get access

Summary

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2024

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Albiston, Jordie. Botany Bay Document: A Poetic History of the Women of Botany Bay. Black Pepper, 1996.Google Scholar
Albiston, Jordie. The Hanging of Jean Lee. Black Pepper, 1998.Google Scholar
Albiston, Jordie. Vertigo: A Cantata. John Leonard Press, 2007.Google Scholar
Albiston, Jordie. The Book of Ethel. Puncher & Wattmann, 2013.Google Scholar
Albiston, Jordie. Jack & Mollie (& Her). University of Queensland Press, 2016.Google Scholar
Albiston, Jordie. Warlines. Hybrid Publishers, 2018.Google Scholar
Albiston, Jordie. Element: The Atomic Weight & Radius of Love. Puncher & Wattmann, 2019.Google Scholar
Allen, Richard James. Thursday’s Fictions. Five Islands Press, 1999.Google Scholar
Allen, Richard James. The Kamikaze Mind. Brandl & Schlesinger, 2006.Google Scholar
Alvarez, Ivy. Disturbance. Seren, 2013.Google Scholar
Araluen, Evelyn. Dropbear. University of Queensland Press, 2021.Google Scholar
Ashcroft, Bill, Griffiths, Gareth, and Tiffin, Helen. The Empire Writes Back: Theory and Practice in Post-colonial Literatures, 2nd ed. Routledge, 2002.Google Scholar
Atherton, Cassandra. After Lolita. Ahadada Books, 2010.Google Scholar
Atherton, Cassandra. Exhumed. Grand Parade Poets, 2015.Google Scholar
Atherton, Cassandra. Trace. Finlay Lloyd, 2015.Google ScholarPubMed
Atherton, Cassandra. Leftovers. Gazebo Books, 2020.Google Scholar
Atherton, Cassandra and Hetherington, Paul, eds. Anthology of Australian Prose Poetry. Melbourne University Press, 2020.CrossRefGoogle Scholar
Atherton, Cassandra and Miller, Alyson. Pika-Don. Mountains Brown Press, 2018.Google Scholar
Ball, Magdalena. Bobish. Puncher & Wattman, 2022.Google Scholar
Ballou, Emily. The Darwin Poems. UWA Publishing, 2009.Google Scholar
Barnie, John. “‘The Common Dish’ and the Uncommon Poet: Les A. Murray’s The Boys Who Stole the Funeral.” Kunapipi vol.4 no.1, 1982, pp. 172–78.Google Scholar
Bateson, Catherine. A Dangerous Girl. University of Queensland Press, 2000.Google Scholar
Bateson, Catherine. The Year It All Happened. University of Queensland Press, 2001.Google Scholar
Bateson, Catherine. His Name in Fire. University of Queensland Press, 2006.Google Scholar
Baudelaire, Charles. Paris Spleen: Little Poems in Prose. Translated by Waldrop, Keith. Wesleyan University Press, 2009.Google Scholar
Beesley, Luke. Balance. Whitmore Press, 2012.Google Scholar
Beesley, Luke. Aqua Spinach. Giramondo, 2018.Google Scholar
Beesley, Luke. In the Photograph. Giramondo, 2023.Google Scholar
Bobis, Merlinda. Cantata of the Warrior Woman Daragang Magayon; An Epic. Babaylan Women’s Publishing Collective, 1993.Google Scholar
Bolton, Ken and Jenkins, John. The Ferrara Poems. Experimental Art Foundation, 1989.Google Scholar
Boyle, Peter. What the Painter Saw in Our Faces. Five Islands Press, 2001.Google Scholar
Boyle, Peter. Museum of Space. University of Queensland Press, 2004.Google Scholar
Boyle, Peter. Apocrypha. Vagabond Press, 2009.Google Scholar
Brown, Pam. Keep It Quiet. Sea Cruise Books, 1987.Google Scholar
Brown, Pam. This World, This Place. University of Queensland Press, 1994.Google Scholar
burns, joanne. blowing bubbles in the 7th lane. Fab Press, 1988.Google Scholar
burns, joanne. on a clear day. University of Queensland Press, 1992.Google Scholar
burns, joanne. penelope’s knees. University of Queensland Press, 1996.Google Scholar
burns, joanne. apparently. Giramondo, 2019.Google Scholar
Byrne, Michael, ed. The Indigo Book of Australian Prose Poems. Ginninderra Press, 2011.Google Scholar
Carson, Anne M. Massaging Himmler: A Poetic Biography of Dr Felix Kersten. Hybrid Publishers, 2019.Google Scholar
Carson, Anne M. The Detective’s Chair: Prose Poems about Fictional Detectives. Liquid Amber Press, 2023.Google Scholar
Castro, Brian. Blindness and Rage. Giramondo, 2017.Google Scholar
Catalano, Gary. Fresh Linen: Sixty Prose Poems, 1980–1986. University of Queensland Press, 1988.Google Scholar
Catalano, Gary. Jigsaw: Poems and Prose Poems. Craftsman House, 1998.Google Scholar
Chevalier, Julie. Darger: his girls, a sequence of poems about the life of Henry Darger, 1892–1973. Puncher & Wattmann, 2012.Google Scholar
Clemens, Justin. The Mundiad. Hunter Publishers, 2013.Google Scholar
Costello, Moya. “Letters to the Editor.” TEXT vol.6 no.2, 2002. www.textjournal.com.au/oct02/letters.htm.Google Scholar
Couani, Anna. Italy. Ragman Productions, 1977.Google Scholar
Couani, Anna. email to Paul Hetherington, 2 November 2020.Google Scholar
Couani, Anna and Lyssiotis, Peter. The Harbour Breathes. Sea Cruise Books, 1989.Google Scholar
Crispin, Judith Nangala. “On Finding Charlotte in the Anthropological Record.” Casula Powerhouse Arts Centre. www.casulapowerhouse.com/__data/assets/pdf_file/0011/189578/Blake2020_On-finding-Charlotte-in-the-Anthropological-Record_Judith-Crispin.pdf.CrossRefGoogle Scholar
Dennis, C. J. The Songs of a Sentimental Bloke. Angus & Robertson, 1915.Google Scholar
Dennis, C. J. The Moods of Ginger Mick. Angus & Robertson, 1916.Google Scholar
Dodds, Benjamin. Airplane Baby Banana Blanket. Recent Work Press, 2020.Google Scholar
Eckermann, Ali Cobby. Ruby Moonlight: A Novel of the Impact of Colonisation in Mid-North South Australia around 1880. Magabala Books, 2012.Google Scholar
Edgar, Stephen. Eldershaw. Black Pepper, 2013.Google Scholar
Farrell, Michael. a raiders guide. Giramondo, 2008.Google Scholar
Farrell, Michael. Cocky’s Joy. Giramondo, 2015.Google Scholar
Farrell, Michael. Family Trees. Giramondo, 2020.Google Scholar
Fitch, Toby. Jerilderies. Vagabond, 2014.Google Scholar
Fleming, Joan. Song of Less. Cordite Publishing, 2022.Google Scholar
Frascarelli, Carmine. Sydney Road Poems. Rabbit Poetry Journal, 2016.Google Scholar
Fry, Declan. “Dropbear by Evelyn Araluen Review – A Stunning Scalpel Wielded through Australian Myths.” The Guardian, 26 March 2021. www.theguardian.com/books/2021/mar/26/dropbear-by-evelyn-araluen-review-a-stunning-scalpel-wielded-through-australian-myths.Google Scholar
Gibbons, Maureen. The Butter Lady: A Silhouette Biography in Verse. Rabbit Poetry Journal, 2016.Google Scholar
Gibson, Ross. Seven Versions of an Australian Badland. University of Queensland Press, 2002.Google Scholar
Gibson, Ross. 26 Views of the Starburst World: William Dawes at Sydney Cove 1788–1791. UWA Publishing, 2012.Google Scholar
Godfrey, Madison. Dress Rehearsals. Joan, an imprint of Allen & Unwin, 2023.Google Scholar
Goodfellow, Geoff. Blight Street. Walleah Press, 2021.Google Scholar
Hall, Rhiannon. “Inside Me, My Voice Struggles to Get Out: Voice in Catherine Bateson’s Verse Novel, His Name in Fire.” Axon: Creative Explorations vol.10 no.1, May 2020. www.axonjournal.com.au/issue-vol-10-no-1-may-2020/inside-me-my-voice-struggles-get-out.Google Scholar
Hamlyn-Harris, M[aymie Ada]. Star Dust (Prose Poems). Rallings & Rallings, 1941.Google Scholar
Hammial, Philip. With One Skin Less. Hale & Iremonger, 1994.Google Scholar
Hammial, Philip. Skin Theory. Puncher & Wattmann, 2009.Google Scholar
Hammial, Philip. Asylum Nerves: New and Selected Poems. Puncher & Wattmann, 2014.Google Scholar
Hammial, Philip. Inveigling Snafus. Island Press, 2021.Google Scholar
Harkin, Natalie. Dirty Words. Cordite Books, 2015.Google Scholar
Harkin, Natalie. Archival-Poetics. Vagabond Press, 2019.Google Scholar
Hawke, Shé. Depot Girl. Picaro Press, 2008.Google Scholar
Hawke, Shé. Aquamorphia: Falling for Water. Interactive Publications, 2014.Google Scholar
Hecq, Dominique. Hush: A Fugue. UWA Publishing, 2017.Google Scholar
Henry, Brian and Tranter, John. “John Tranter Interview.” The Argotist Online. www.argotistonline.co.uk/Tranter%20interview.htm.Google Scholar
Hetherington, Paul. Blood and Old Belief. Pandanus Books, 2003.Google Scholar
Hetherington, Paul. Burnt Umber. UWA Publishing, 2016.Google Scholar
Hetherington, Paul. Gallery of Antique Art. Recent Work Press, 2016.Google Scholar
Hetherington, Paul. Her One Hundred and Seven Words. Madhat Press, 2021.Google Scholar
Hetherington, Paul. Ragged Disclosures. Recent Work Press, 2022.Google Scholar
Hetherington, Paul and Atherton, Cassandra. Fugitive Letters. Recent Work Press, 2020.Google Scholar
Hetherington, Paul and Atherton, Cassandra. Prose Poetry: An Introduction. Princeton University Press, 2020.Google Scholar
Herrick, Steven. Love, Ghosts & Nose Hair. University of Queensland Press, 1996.Google Scholar
Herrick, Steven. A Place Like This. University of Queensland Press, 1998.Google Scholar
Herrick, Steven. Pookie Aleera Is Not My Boyfriend. University of Queensland Press, 2012.Google Scholar
Hodgins, Philip. Dispossessed. Angus & Robertson, 1994.Google Scholar
Holland-Batt, Sarah and Jeffrey, Ella. “Twenty-First-Century Australian Poetry.” The Routledge Companion to Australian Literature, edited by Gildersleeve, Jessica. Routledge, 2020, pp. 335–43.Google Scholar
Jackson, Andy. Music Our Bodies Can’t Hold. Hunter Publishers, 2017.Google Scholar
Jackson, Anna. Abstract for “The Verse Biography: Introduction.” Biography vol.39 no.1, 2016, p. iii.CrossRefGoogle Scholar
Jacobson, Lisa. The Sunlit Zone. Five Islands Press, 2012.Google Scholar
Jenkins, John. A Break in the Weather. Modern Writing Press, 2003.Google Scholar
Jessen, Rebecca. Gap. University of Queensland Press, 2014.Google Scholar
Johnson, Judy. Jack. Pandanus Books, 2006.Google Scholar
Johnson, Judy. Dark Convicts. UWA Publishing, 2017.Google Scholar
Jones, Chris. The Times of Zenia Gold: A Verse Novel. Blackwattle Press, 1992.Google Scholar
Jones, Jennifer. Black Writers, White Editors: Episodes of Collaboration and Compromise in Australian Publishing History. Australian Scholarly Publishing, 2009.Google Scholar
Keating, Colleen. Hildegard of Bingen: A Poetic Journey. Ginninderra Press, 2019.Google Scholar
Kernot, Sharon. The Art of Taxidermy. Text, 2018.Google Scholar
Kinsella, John. Lightning Tree. Fremantle Arts Centre Press, 1996.Google Scholar
Kinsella, John. “The Hybridising of a Poetry: Notes on Modernism & Hybridity – The Colonising Prospect of Modernism and Hybridity as a Means to Closure.” boundary 2 vol.26 no.1, 1999, pp. 156–59.Google Scholar
Kinsella, John. Drowning in Wheat: Selected Poems 1980–2015. Picador, 2016.Google Scholar
Kinsella, John. Graphology Poems 1995–2015. Five Islands Press, 2016.Google Scholar
Kinsella, John. Cellnight: A Verse Novel. Transit Lounge, 2023.Google Scholar
Kocher, Shari. “Excerpts from Part II of the Verse Novel: Sonqoqui: ‘Unwritten Field Notes: Peru & Argentina, 1998–1999.’” Rabbit: A Journal for Nonfiction Poetry no.15, 2015, pp. 104–13.Google Scholar
Krausmann, Rudi. From Another Shore. Wild & Woolley, 1975.Google Scholar
Krausmann, Rudi. Everyman a sentence situation. Paper Castle, 1978.Google Scholar
Krausmann, Rudi. The Journey and Other Poems. Rudi Krausmann and Garry Shead, 1999.Google Scholar
Laird, Benjamin. The Durham Poems; or Poems on William Denton, Years 1823–1842. SOd Press, 2016.Google Scholar
Lawrence, Anthony. The Welfare of My Enemy. Puncher & Wattmann, 2011.Google Scholar
Layland, Penelope. Nigh. Recent Work Press, 2020.Google Scholar
Lebkowicz, Lesley. The Petrov Poems. Pitt Street, 2013.Google Scholar
Li, Bella. Argosy. Vagabond Press, 2017.Google Scholar
Li, Bella. Lost Lake. Vagabond Press, 2018.Google Scholar
Li, Bella. Theory of Colours. Vagabond Press, 2021.Google Scholar
Lo, Miriam Wei Wei. “Poetry Review by Guest Miriam Wei Wei Lo.” hi spirits, 28 October 2004. http://hispirits.blogspot.com/2004/10/poetry-review-by-guest-miriam-wei-wei_28.html.Google Scholar
Lukic, Tatjana. la,la,la. Five Islands Press, 2009.Google Scholar
Marwood, Lorraine. Footprints on the Moon. University of Queensland Press, 2021.Google Scholar
McAuley, James. Captain Quiros. Angus & Robertson, 1964.Google Scholar
McCooey, David. “The City and the Contemporary Australian Long Poem.” JASAL: Journal of the Association for the Study of Australian Literature, Australian Writing and the City, 1999, pp. 122–28.Google Scholar
McCooey, David. “Australian Poetry 1970–2005.” A Companion to Australian Literature since 1900, edited by Birns, Nicholas and McNeer, Rebecca. Camden House, 2007, pp. 191205.CrossRefGoogle Scholar
Mehan, Bronwyn. “The joanne burns Award.” Spineless Wonders, 1 June 2013. https://shortaustralianstories.com.au/the-joanne-burns-award/.Google Scholar
Miller, Alyson. Strange Creatures. Recent Work Press, 2019.Google Scholar
Millett, John. Blue Dynamite. South Head Press, 1986.Google Scholar
Morgan, Sally. Sister Heart. Fremantle Press, 2015.Google Scholar
Murray, Les. The Boys Who Stole the Funeral. Angus & Robertson, 1979.Google Scholar
Murray, Les. Fredy Neptune. Duffy & Snellgrove, 1998.Google Scholar
Musa, Omar. Here Come the Dogs. Penguin, 2014.Google Scholar
Ouyang, Yu. Flag of Permanent Defeat. Puncher & Wattmann, 2019.Google Scholar
Page, Geoff. The Scarring. Hale & Iremonger, 1999.Google Scholar
Page, Geoff. Drumming on Water. Brandl & Schlesinger, 2003.Google Scholar
Page, Geoff. 1953. University of Queensland Press, 2013.Google Scholar
Page, Geoff. Cara Carissima. Picaro Press, 2015.Google Scholar
Page, Geoff. Plevna: A Biography in Verse: Sir Charles ‘Plevna’ Ryan, 1853–1926. UWA Publishing, 2016.Google Scholar
Page, Geoff. Elegy for Emily: A Verse Biography of Emily Remler (1957–1990). Puncher & Wattmann, 2019.Google Scholar
Peart, Mark A. The Great Eastern. Rabbit, 2016.Google Scholar
Petersen, D.Rudi Krausmann, From Another Shore.” LiNQ vol.4 no.3–4, 1975, pp. 6465. https://journals.jcu.edu.au/linq/article/view/517/shore.Google Scholar
Π.O. 24 Hours. Collective Effort Press, 1996.Google Scholar
Π.O. Fitzroy: The Biography. Collective Effort Press, 2015.Google Scholar
Π.O. Heide. Giramondo Publishing, 2019.Google Scholar
Pierce, Peter. “The Silver Age of Australian Fiction.” Meanjin, Summer 2011. https://meanjin.com.au/essays/the-silver-age-of-australian-fiction/.Google Scholar
Pollnitz, Christopher. “Australian Verse Novels.” Heat no.7, 2004, pp. 229–52.Google Scholar
Porter, Dorothy. Akhenaten. University of Queensland Press, 1992.Google Scholar
Porter, Dorothy. The Monkey’s Mask. Hyland House, 1994.Google Scholar
Porter, Dorothy. What a Piece of Work. Picador, 1999.Google Scholar
Prater, David. Leaves of Glass. Puncher & Wattmann, 2013.Google Scholar
Rubinstein, Matt. Solstice. Allen & Unwin, 1994.Google Scholar
Saunders, Kirli. Bindi. Magabala Books, 2020.Google Scholar
Sawtell, Michael. The Wisdom of a Vagabond: Prose Poems. Cole’s Book Arcade, 1925.Google Scholar
Scott, John A. St Clair: Three Narratives. University of Queensland Press, 1986.Google Scholar
Seth, Vikram. The Golden Gate. Random House, 1986.Google Scholar
Shapcott, Tom. Turning Full Circle. New Poetry, 1979.Google Scholar
Shapcott, Tom. Stump & Grape & Bopple-Nut: Prose Inventions. Bullion Publications, 1981.Google Scholar
Shapcott, Tom. “Letters to the Editor.” TEXT vol.6 no.2, 2002. www.textjournal.com.au/oct02/letters.htm.Google Scholar
Shilton, Leni. Walking with Camels: The Story of Bertha Strehlow. UWA Publishing, 2018.Google Scholar
Shilton, Leni. Malcolm: A Story in Verse. UWA Publishing, 2019.Google Scholar
Skovron, Alex. Autographs. Hybrid Publishers, 2008.Google Scholar
Smith, Ali Jane. “The Mongrel: Australian Prose Poetry.” Australian Poetry Journal vol.4 no.1, 2014, pp. 614.Google Scholar
Sykes, Patricia. The Abbotsford Mysteries. Spinifex Press, 2011.Google Scholar
Taylor, Andrew. Parabolas: Prose Poems. Makar Press, 1976.Google Scholar
Tranter, John. The Floor of Heaven. Angus & Robertson, 1992.Google Scholar
Varatharajan, Prithvi. “Confessional Surrealist Feminist: Vicki Viidikas’s Poetics and Politics.” JASAL: Journal of the Association for the Study of Australian Literature vol.18 no.2, 2018. https://openjournals.library.sydney.edu.au/index.php/JASAL/article/view/11723.Google Scholar
Varatharajan, Prithvi. Entries. Cordite Books, 2020.Google Scholar
Viidikas, Vicki. Condition Red. University of Queensland Press, 1973.Google Scholar
Viidikas, Vicki. Wrappings. Wild & Woolley, 1974.Google Scholar
Viidikas, Vicki. India Ink: A Collection of Prose Poems Written in India. Hale & Iremonger, 1984.Google Scholar
Wallace-Crabbe, Chris. Where the Wind Came: Poems. Angus & Robertson, 1971.Google Scholar
Wallace-Crabbe, Chris. The Universe Looks Down. Brandl & Schlesinger, 2005.Google Scholar
Walters, J. Ward. The Storehouse and Other Prose Poems. F.W. Preece, 1938.Google Scholar
Walwicz, Ania. “Australia.” Island in the Sun: An Anthology of Recent Australian Prose, edited by White, Damien, Couani, Anna, and Thompson, Tom. Sea Cruise Books, 1980, pp. 9091.Google Scholar
Walwicz, Ania. “Little Red Riding Hood.” Writing. Rigmarole Books, 1982, p. 7.Google Scholar
Walwicz, Ania. Red Roses. University of Queensland Press, 1992.Google Scholar
Wanner, Adrian. Russian Minimalism: From the Prose Poem to the Anti-story. Northwestern University Press, 2003.Google Scholar
Watson, Samuel Wagan. Smoke Encrypted Whispers. University of Queensland Press, 2004.Google Scholar
Watson, Samuel Wagan. Love Poems and Death Threats. University of Queensland Press, 2014.Google Scholar
Wearne, Alan. The Nightmarkets: A Novel. Penguin, 1986.Google Scholar
Wearne, Alan. Out Here. Bloodaxe Books, 1987.Google Scholar
Wearne, Alan. The Lovemakers: Book One: Saying All the Great Sexy Things. Penguin, 2001.Google Scholar
Wearne, Alan. The Lovemakers: Book Two: Money and Nothing. ABC Books, 2004.Google Scholar
Webb, Francis. A Drum for Ben Boyd. Angus & Robertson, 1948.Google Scholar
Weste, Linda. “Verse Novel Research and Reception in the Twenty-First Century.” New Scholar: An International Journal of the Humanities, Creative Arts and Social Sciences vol.3 no.2, 2014, pp. 113–24.Google Scholar
Weste, Linda. Nothing Sacred. Australian Scholarly Publishing, 2015.Google Scholar
Wilkinson, Jessica L. marionette: a biography of miss marion davies. Vagabond Press, 2012.Google Scholar
Wilkinson, Jessica L. Suite for Percy Grainger: A Biography. Vagabond Press, 2014.Google Scholar
Wilkinson, Jessica L.Experiments in Poetic Biography: Feminist Threads in Contemporary Long Form Poetry.” Biography vol.39 no.1, 2016, pp. 122.CrossRefGoogle Scholar
Wilkinson, Jessica L. Music Made Visible: A Biography of George Balanchine. Vagabond Press, 2019.Google Scholar
Wilkinson, Jessica L.Writing Lines, Writing Lives: The Art of Poetic Biography.” New and Experimental Approaches to Writing Lives, edited by Parnell, Jo. Red Globe Press, 2019, pp. 170–85.Google Scholar
Wilkinson, Jessica L. and Atherton, Cassandra, eds. Memory Book: Portraits of Older Australians in Poetry and Watercolours. Hunter Publishers, 2021.Google Scholar
Biarujia, Javant. Spelter to Pewter. Cordite Books, 2016.Google Scholar
Biddle, Jennifer Loureide. Remote Avant-Garde: Aboriginal Art under Occupation. Duke University Press, 2016.Google Scholar
Bing, Xu. Book from the Ground: From Point to Point. MIT Press, 2018.Google Scholar
Bohn, Willard. Reading Visual Poetry. Fairleigh Dickinson University Press, 2011.Google Scholar
Breeze, Mez. V[R]ignettes: A Microstory Series. mezbreezedesign.com.Google Scholar
Burn, Ian. Xerox Book #1, 1968. Artist book held at National Gallery of Australia.Google Scholar
Cecchi, Alessandro. “To Imitate All That Is Hidden: The Place of Mimesis in Adorno’s Musical Performance.” Aisthesis vol.1 no.1, 2017, pp. 131–38.Google Scholar
Dale, Amelia. Constitution. Inken Publisch, 2017.Google Scholar
Duke, Jas H. Destiny Wood. Whole Australian Catalogue, 1978, n.pag.Google Scholar
Duke, Jas H. Dada kampfen um Leben und Tod: A Prose Poem. Wayzgoose, 1996.Google Scholar
Duke, Jas H. poems of life & death, edited by PiO. Collective Effort Press, 2003.Google Scholar
Edwards, Chris. after Naptime: a poem, profusely illustrated. Vagabond Books, 2014.Google Scholar
Edwards, Chris. hm. Polar Bear Press, 2015.Google Scholar
Farrell, Michael. Break Me Ouch. 3 Deep Publishing, 2006.Google Scholar
Farrell, Michael. Writing Australian Unsettlement: Modes of Poetic Invention, 1796–1945. Palgrave Macmillan, 2015.CrossRefGoogle Scholar
Gallacher, Lyn. “Of Course – A Grammatical Tech Check.” Continuum vol.8 no.1, 1994, pp. 181–91.CrossRefGoogle Scholar
Gay’wu Group of Women. Songspirals: Sharing Women’s Wisdom of Country through Songlines. Allen & Unwin, 2019.Google Scholar
Harkin, Natalie. Dirty Words. Cordite Books, 2015.Google Scholar
Jennings, Kate, ed. Mother I’m Rooted: An Anthology of Australian Women Poets. Outback Press, 1975.Google Scholar
Kouvaras, Linda Ioanna. Loading the Silence: Australian Sound Art in the Post-Digital Age. Routledge, 2013, pp. 318.Google Scholar
Laird, Benjamin. The Durham Poems. SOd Press, 2016.Google Scholar
PiO. Ockers: A Poem. Wayzgoose, 1999.Google Scholar
Reik, Theodor. Listening with the Third Ear: The Inner Experience of a Psychoanalyst. Grove Press, 1948.Google Scholar
Selenitsch, Alex. 7 More Monotones. N.pub, 1973.Google Scholar
Selenitsch, Alex. Sonnets. bUcKs, 1975.Google Scholar
Spence, Pete and Vleeskens, Cornelius. Alpha-cartography, South by South. Runaway Spoon Press, 2001.Google Scholar
Stewart, Amanda. I/T: Selected Poems 1980–1996. Here and There/Split Records, 1998.Google Scholar
Strehlow, T. G. H. Songs of Central Australia. Angus & Robertson, 1971.Google Scholar
Tse, Jonathan. Portrait of an Australian, 1998. Artists’ book held at State Library of Queensland.Google Scholar
Vidler, Catherine. Lost Sonnets. Spacecraft Press, 2018.Google Scholar
Whittaker, Alison. Blakwork. Magabala Books, 2018.Google Scholar
Whittock, Nick. hows its. Inken Publisch, 2014.Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • Expanding Form
  • Edited by Ann Vickery, Deakin University, Victoria
  • Book: The Cambridge Companion to Australian Poetry
  • Online publication: 06 June 2024
  • Chapter DOI: https://doi.org/10.1017/9781009470186.024
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Expanding Form
  • Edited by Ann Vickery, Deakin University, Victoria
  • Book: The Cambridge Companion to Australian Poetry
  • Online publication: 06 June 2024
  • Chapter DOI: https://doi.org/10.1017/9781009470186.024
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Expanding Form
  • Edited by Ann Vickery, Deakin University, Victoria
  • Book: The Cambridge Companion to Australian Poetry
  • Online publication: 06 June 2024
  • Chapter DOI: https://doi.org/10.1017/9781009470186.024
Available formats
×