Skip to main content Accessibility help
×
Hostname: page-component-78c5997874-ndw9j Total loading time: 0 Render date: 2024-11-13T06:21:17.083Z Has data issue: false hasContentIssue false

P

Published online by Cambridge University Press:  24 November 2017

Julian Rushton
Affiliation:
University of Leeds
Get access

Summary

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2017

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Carmona, Michel, Haussmann, trans. Camiller, Patrick (Chicago: Ivan. R. Dee, 2002)Google Scholar
Hillairet, Jacques, Dictionnaire historique des rues de Paris (Paris: Les éditions de Minuit, 1960); 10th edn. (1997)Google Scholar
Mansel, Philip, Paris in the age of Berlioz (London: The Berlioz Society, 2006)Google Scholar
Pinckney, David, Napoleon III and the Rebuilding of Paris (Princeton University Press, 1958)Google Scholar
Simeone, Nigel, Paris. A Musical Gazetteer (New Haven, CT: Yale University Press, 2000), 2934Google Scholar
Bongrain, Anne (ed.), Berlioz 2003. Contributions du Conservatoire national supérieur de musique et de danse de Paris aux célébrations du bicentenaire de la naissance d’Hector Berlioz (Paris: CNSMDP, 2003)Google Scholar
Kern Holoman, D., ‘Berlioz au Conservatoire: Notes biographiques’, Revue de Musicologie 62 (1976), 289–92Google Scholar
Wild, Nicole, Dictionnaire des théâtres parisiens au XIXe siècle (Paris: Aux Amateurs des livres, 1989)Google Scholar
Walsh, Thomas Joseph, Second Empire Opera. The Théâtre Lyrique Paris 1851–1870 (London: Calder, 1981)Google Scholar
Everist, Mark, Music Drama at the Paris Odéon 1824–1828 (Berkeley and Los Angeles, CA: University of California Press, 2002)Google Scholar
Cosso, Laura, ‘Il tema della natura in Berlioz: appunti per una riflessione’, in Ad Parnassum, 99120Google Scholar
Monelle, Raymond, The Musical Topic. Hunt, Military and Pastoral (Bloomington and Indianapolis, IN: Indiana University Press, 2006)Google Scholar
Baillot, Pierre, L’art du violon (Paris, [1835])Google Scholar
Baillot, Pierre, Rode, Pierre, and Kreutzer, Rudolphe, Méthode de violon (Paris, 1803)Google Scholar
Berlioz, , Letter to Théodore Ritter, in Le temps (20 Dec. 1855)Google Scholar
Brown, Clive, Classical and Romantic Performing Practice 1750–1900 (Oxford University Press, 1999)Google Scholar
Macdonald, Hugh, ‘Two peculiarities of Berlioz’s notation’, ML 50/1(1969), 2536; ‘Berlioz and the metronome’, in BloomSt, 17–36Google Scholar
Beale, Willert, The Light of other Days, seen through the wrong end of an opera glass (London: R. Bentley & Son, 1890)Google Scholar
Ehrlich, Cyril, First Philharmonic: A History of the Royal Philharmonic Society (Oxford: Clarendon Press, 1995)Google Scholar
Ganz, Wilhelm, Memories of a Musician: Reminiscences of Seventy Years of Musical Life (London: John Murray, 1913)Google Scholar
Grove, George, ‘New Philharmonic Society’, in Maitland, J. A. Fuller (ed.), Grove 2 (London: Macmillan, 1904–10), III, 366Google Scholar
Reynaud, Cécile, ‘Liszt’, ‘Pixis’, ‘Thalberg’ in DB; Jean-Jacques Eigeldinger, ‘Chopin’, in DBGoogle Scholar
Rushton, Julian, ‘Henry Hugo Pierson and Shakespearean Tragedy’, in Cowgill, Rachel and Rushton, Julian (eds.), Europe, Empire and Spectacle in Nineteenth-Century British Music (Aldershot: Ashgate, 2006), 7795Google Scholar
Annuaire diplomatique et consulaire de la République Française, Vol. 12 (Paris: Imprimerie nationale, 1869)Google Scholar
Bloom, Peter, ‘The Fortunes of the Flying Dutchman in France’, Wagner 8/2 (1987), 4266Google Scholar
Reeve, Katherine Kolb, ‘Primal Scenes: Smithson, Pleyel, and Liszt in the Eyes of Berlioz’, 19th-CM 18/3 (1995), 211–35Google Scholar
Eigeldinger, Jean-Jacques, ‘Chopin and Pleyel’, Early Music 29/3 (2001), 388–96Google Scholar
Hartlaub-Pohl, Senta, Richard Pohl (1826–1896) (Baden-Baden: Arbeitskreis für Stadtgeschichte Baden-Baden, 1967)Google Scholar
Jost, Peter, ‘Berlioz und Wagner in den Schriften von Richard Pohl’, in Berlioz, Wagner und die Deutschen, 121–32Google Scholar
Pohl, Richard, Hector Berlioz. Studien und Erinnerungen, 2nd edn. (Leipzig: B. Schlicke, 1884); Hector Berlioz. Leben und Werke (ed. L. Pohl) (Leipzig: Leuckart, 1900)Google Scholar
Charlton, David, ‘Berlioz, Dalayrac and Song’, in Berlioz and Debussy, 318Google Scholar
Stricker, Rémy, ‘Berlioz et le chant populaire’, in Ramaut, , Regards sur un dauphinois fantastique, 203–12Google Scholar
Nay, Jessica, ‘Uncovering a forgotten legacy: A study of the Ferdinand Praeger Collection of Scores in the University at Buffalo Music Library’, M.A. dissertation, New York State University Buffalo, 2012Google Scholar
Payzant, Geoffrey, Eduard Hanslick and Ritter Berlioz in Prague: A Documentary Narrative (University of Calgary Press, 1991)Google Scholar
Vít, Petr, ‘Berlioz, Liszt und Schumann in Prag 1846’, in Bär, Ute (ed.), Robert Schumann und die französische Romantik (Mainz: Schott, 1997), 169–74Google Scholar
RushtonMLB, 92–4Google Scholar
Kemp, , Troyens (appendices): Macdonald, Hugh, ‘The Printed Vocal Scores’, 212–15; Goldberg, Louise, ‘Select list of performances’ (up to 1987), 216–27Google Scholar
Reynaud, Cécile, ‘Berlioz et les cantates du Prix de Rome’, in Textes et contextes, 5969Google Scholar
Concours du prix de RomeGoogle Scholar
Rushton, Julian, ‘Le prix de Rome: Berlioz et ses rivaux’, in Textes et contextes, 1533Google Scholar
Liszt, Franz, ‘Berlioz und seine Harold-Symphonie’, NZfM XLIII (1855), 3741, 5257, 81Google Scholar
von Massow, Albrecht, ‘Programmusik’ (1993), in Eggebrecht, Hans Heinrich and Riethmüller, Albrecht (eds.), Handwörterbuch der musikalischen Terminologie (Wiesbaden: Franz Steiner Verlag, 1971–2006)Google Scholar
Reynaud, Cécile, ‘Regards sur la musique à programme chez Liszt et Berlioz’, in Berlioz, Wagner und die Deutschen, 287–93Google Scholar
Rodgers, Stephen, Form, Program, and Metaphor in the Music of BerliozGoogle Scholar
Schmusch, Rainer, Der Tod des Orpheus – Entstehungsgeschichte der Programmusik (Freiburg: Rombach, 1998); ‘Shakespeare and the Genesis of Programme Music: the Mottoes of Berlioz’s Huit Scènes de Faust’, in Voyager, 224–40Google Scholar
Anger, Violaine, ‘Prosodie’, in DB; JD references: Condé, Gérard, Hector Berlioz. Cauchemars et Passions, 179ff; 226ffGoogle Scholar
Bloom, Peter, ‘Episodes in the Livelihood of an Artist: Berlioz’s Contacts and Contracts with Publishers’, Journal of Musicological Research 15 (1995), 219–73Google Scholar
HolomanCat; HopkinsonGoogle Scholar

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • P
  • Edited by Julian Rushton, University of Leeds
  • Book: The Cambridge Berlioz Encyclopedia
  • Online publication: 24 November 2017
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • P
  • Edited by Julian Rushton, University of Leeds
  • Book: The Cambridge Berlioz Encyclopedia
  • Online publication: 24 November 2017
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • P
  • Edited by Julian Rushton, University of Leeds
  • Book: The Cambridge Berlioz Encyclopedia
  • Online publication: 24 November 2017
Available formats
×