Book contents
- The Cambridge Berlioz Encyclopedia
- The Cambridge Berlioz Encyclopedia
- Copyright page
- Contents
- Contributors
- Editor’s Preface
- Acknowledgements
- Guide to Using the Encyclopedia
- Bibliographical Abbreviations (for Publication Details see Bibliography)
- Chronology
- Dictionary
- A
- B
- C
- D
- E
- F
- G
- H
- I
- J
- K
- L
- M
- N
- O
- P
- Q
- R
- S
- T
- U
- V
- W
- Z
- Book part
- Select Bibliography Including Websites
- Index
- References
E
Published online by Cambridge University Press: 24 November 2017
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Book contents
- The Cambridge Berlioz Encyclopedia
- The Cambridge Berlioz Encyclopedia
- Copyright page
- Contents
- Contributors
- Editor’s Preface
- Acknowledgements
- Guide to Using the Encyclopedia
- Bibliographical Abbreviations (for Publication Details see Bibliography)
- Chronology
- Dictionary
- A
- B
- C
- D
- E
- F
- G
- H
- I
- J
- K
- L
- M
- N
- O
- P
- Q
- R
- S
- T
- U
- V
- W
- Z
- Book part
- Select Bibliography Including Websites
- Index
- References
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- The Cambridge Berlioz Encyclopedia , pp. 106 - 118Publisher: Cambridge University PressPrint publication year: 2017
References
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Massip, Catherine, ‘Berlioz and Early Music’, in BloomPPF, 19–33Google Scholar
Dennison, Peter, ‘Elgar’s Musical Apprenticeship’, in Monk, Raymond (ed.), Elgar Studies (Aldershot: Scolar Press, 1990), 20Google Scholar
Bashford, Christina, ‘More than Dedication?: Hector Berlioz and John Ella’, in Voyager, 3–21Google Scholar
Bartoli, Jean-Pierre, ‘Historicisme, éclectisme et modalité dans L’Enfance du Christ’, Musurgia 8/3–4 (2001), 7–31Google Scholar
Prod’homme, Jacques-Gabriel, L’Enfance du Christ (Le Cycle Berlioz)Google Scholar
Rushton, Julian, ‘“Oratorium eines Zukunftsmusiker”? The Pre-history of L’Enfance du Christ’, in Berlioz and Debussy, 35–51Google Scholar
Rushton, Julian, ‘Berlioz classique, romantique, Gluckiste: Érigone et Les Troyens’, in Ramaut, Alban and Saby, Pierre (eds.), D’un Orphée, l’autre: 1762–1859 … Métamorphoses d’un mythe (Presses universitaires de Saint-Étienne, 2014), 207–23Google Scholar
Erkel, Ferenc, Operas. General editor: Tibor Tallián (Budapest: Rózsavölgyi és Társa, 2002–)Google Scholar
Haine, Malou, ‘Les instruments de musique jugés aux expositions universelles de 1851 à 1867’, in Triaire, Sylvie and Brunet, François (eds.), Aspects de la critique musicale au XIXe siècle (Montpellier: Presses universitaires de la Mediterranée, 2002), 47–59 (online: http://books.openedition.org/pulm/253?lang=fr); ‘Introduction’, Les facteurs d’instruments de musique français aux expositions nationales et universelles du XIXe siècle (Paris: Institut de recherche en Musicologie (IreMus), 2015), unpaginated, 7 pages (online: www.iremus.cnrs.fr/publications/les-facteurs-dinstruments-de-musique-francais-aux-expositions-nationales-et)Google Scholar
Rij, Inge van, ‘“There is no Anachronism”: Indian Dancing Girls in Ancient Carthage in Berlioz’s Les Troyens’, 19th-CM 33 (2009), 3–24Google Scholar