Book contents
- Frontmatter
- Contents
- List of Figures
- List of Sources and Abbreviations
- Acknowledgements
- Foreword
- 1 Amateur Women Filmmakers as Producers of Cultural Meaning
- 2 Webs of Production and Practice
- 3 Resisting Colonial Gendering while Domesticating the Empire
- 4 Cameras Not Handbags: The Essential Accessory
- 5 Through Women's Lens: Imperial and Postcolonial Class and Gender Hierarchies
- 6 Teacher Filmmakers
- 7 British Women's Media Narratives of Gender and Collective Memory
- 8 Reimagining Boundaries: Amateur Animations
- Afterword
- Selected Bibliography
- Index
Selected Bibliography
Published online by Cambridge University Press: 12 November 2019
- Frontmatter
- Contents
- List of Figures
- List of Sources and Abbreviations
- Acknowledgements
- Foreword
- 1 Amateur Women Filmmakers as Producers of Cultural Meaning
- 2 Webs of Production and Practice
- 3 Resisting Colonial Gendering while Domesticating the Empire
- 4 Cameras Not Handbags: The Essential Accessory
- 5 Through Women's Lens: Imperial and Postcolonial Class and Gender Hierarchies
- 6 Teacher Filmmakers
- 7 British Women's Media Narratives of Gender and Collective Memory
- 8 Reimagining Boundaries: Amateur Animations
- Afterword
- Selected Bibliography
- Index
Summary
- Type
- Chapter
- Information
- British Women Amateur FilmmakersNational Memories and Global Identities, pp. 231 - 254Publisher: Edinburgh University PressPrint publication year: 2018