Book contents
- Brahms in Context
- Brahms in Context
- Copyright page
- Dedication
- Contents
- Illustrations
- Music Examples
- Notes on Contributors
- Preface
- Abbreviations
- Part I Personality, People and Places
- Part II Identities, Environments and Influences
- Part III Performance and Publishing
- Part IV Society and Culture
- Part V Reception and Legacy
- Further Reading
- Index
- References
Further Reading
Published online by Cambridge University Press: 15 May 2019
Book contents
- Brahms in Context
- Brahms in Context
- Copyright page
- Dedication
- Contents
- Illustrations
- Music Examples
- Notes on Contributors
- Preface
- Abbreviations
- Part I Personality, People and Places
- Part II Identities, Environments and Influences
- Part III Performance and Publishing
- Part IV Society and Culture
- Part V Reception and Legacy
- Further Reading
- Index
- References
Summary
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- Type
- Chapter
- Information
- Brahms in Context , pp. 393 - 394Publisher: Cambridge University PressPrint publication year: 2019
References
Further Reading
Botstein, L. (ed.), The Compleat Brahms: A Guide to the Musical Works of Johannes Brahms (London: W.W. Norton & Co., 1999)Google Scholar
Clive, P., Brahms and His World: A Biographical Dictionary (Lanham, MD: Scarecrow, 2006)Google Scholar
Evans, E., Historical, Descriptive and Analytical Account of the Entire Works of Johannes Brahms, 4 vols. (London: William Reeves, 1912)Google Scholar
Friedlaender, M., Brahms’ Lieder. Einführung in seine Gesänge für eine und zwei Stimmen (Berlin & Leipzig: Simrock, 1922)Google Scholar
Friedlaender, M., Brahms’s Lieder: An Introduction to the Songs for One and Two Voices, trans. C. L. Leese (London: Oxford University Press, 1928)Google Scholar
Gottlieb-Billroth, O. (ed.), Billroth und Brahms im Briefwechsel (Berlin: Urban & Schwarzenberg, 1935)Google Scholar
Hanslick, E., Aus dem Concert-Saal: Kritiken und Schilderungen aus 20 Jahren d. Wiener Musiklebens 1848–1868 (Vienna: W. Braumüller, 1897)Google Scholar
R. and Hofmann, K., Johannes Brahms. Zeittafel zu Leben und Werk (Tutzing: Hans Schneider, 1983)Google Scholar
R. and Hofmann, K., Johannes Brahms als Pianist und Dirigent. Chronologie seines Wirkens als Interpret (Tutzing: Hans Schneider, 2006)Google Scholar
Joachim, J. and Moser, A. (eds.), Briefe von und an Joseph Joachim, 3 vols. (Berlin: Julius Bard, 1911–13)Google Scholar
Litzmann, B., Clara Schumann, ein Künstlerleben nach Tagebüchern und Briefen, 3 vols. (Leipzig: Breitkopf & Härtel, 1918–1920)Google Scholar
Mandyczewski, E. and Gál, H. (eds.), Johannes Brahms: Sämtliche Werke. Ausgabe der Gesellschaft der Musikfreunde in Wien, 26 vols. (Leipzig: Breitkopf & Härtel, 1926–7, revised repr. Wiesbaden, 1965)Google Scholar
Platt, H., Johannes Brahms. A Research and Information Guide, 2nd edn (New York: Routledge, 2011)Google Scholar
Stephenson, K. (ed.), Johannes Brahms und Fritz Simrock – Weg einer Freundschaft. Briefe des Verlegers an den Komponisten (Hamburg: J. J. Augustin, 1961)Google Scholar