Skip to main content Accessibility help
×
Hostname: page-component-78c5997874-fbnjt Total loading time: 0 Render date: 2024-11-03T00:42:20.351Z Has data issue: false hasContentIssue false
This chapter is part of a book that is no longer available to purchase from Cambridge Core

7 - Imaginary Black Topographies: What are Monuments For?

Lubaina Himid
Affiliation:
University of Central Lancashire
Get access

Summary

When I was in Paris a few months ago, I came across a delightful little guidebook about London. It lists nearly 300 places of interest. These, it claims, range from the National Gallery to “gruesome” Old St Thomas's operating theater, and from ancient Charterhouse to modern Canary Wharf. I was glad to see that the publishers had included most of the important landmarks, signaling the contribution made by Africans of the Black Diaspora to this great and crazy city. Right at the beginning they illustrate the black-and-white patterns across the clock face of Big Ben at the Houses of Parliament. It is good because they are easily missed, as they are only visible on hot days. The guidebook is not so great on the public holidays and African festivals staged by the people of fifty-two countries, but each sight mentioned is cross referenced to its own full entry.

In the following narrative I will share with you some examples of this guidebook's texts and a random selection of some of the monuments.

London

Whitehall and Westminster have been at the center of political and religious power in England for 1,000 years. Looking down Whitehall towards Big Ben is a statue of Oliver Cromwell on horseback, he hails Septimio Severo – African ruler of the Roman Empire from 193 to 211 CE – who spent time in England quelling revolts. It has to be noted, however, that the memorial garden for the African governor of the Roman province of Britannia, Quintus Lollius Urbicus, has never been replaced since it was destroyed during the Second World War.

Piccadilly is the main artery of the West End. Once called Portugal Street, it acquired its present name from the ruffs or pickadils worn by seventeenth-century slave servants and their aristocratic dandy-owners, who lived in the surrounding residences. The African contribution to style and dress is forever memorialized in the shop signs and iron-work of Piccadilly Arcade itself.

After nearly a century of debate about what to do with the patch of land in front of Apsley House, Wellington Arch, designed by Decimus Burton, was erected in 1828.

Type
Chapter
Information
Black Knowledges/Black Struggles
Essays in Critical Epistemology
, pp. 170 - 183
Publisher: Liverpool University Press
Print publication year: 2015

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×