Book contents
- Frontmatter
- Contents
- Preface
- 1 The Enlightenment and White Supremacy
- 2 Objects, Sensation, Truth
- 3 Black African Aesthetics
- 4 Appropriating Black Africa
- 5 Black African Art?
- 6 Collecting Black Africa, Exhibiting White Supremacy
- 7 Ancestral Contact: Victorian Phantasmagoria, Artists, and Black Africa
- 8 Diasporic Nostalgia: The Harlem Renaissance and Black African Objects
- 9 Blackness after the Renaissance
- 10 Twenty-First-Century Colonialism
- Index
- Frontmatter
- Contents
- Preface
- 1 The Enlightenment and White Supremacy
- 2 Objects, Sensation, Truth
- 3 Black African Aesthetics
- 4 Appropriating Black Africa
- 5 Black African Art?
- 6 Collecting Black Africa, Exhibiting White Supremacy
- 7 Ancestral Contact: Victorian Phantasmagoria, Artists, and Black Africa
- 8 Diasporic Nostalgia: The Harlem Renaissance and Black African Objects
- 9 Blackness after the Renaissance
- 10 Twenty-First-Century Colonialism
- Index
Summary
- Type
- Chapter
- Information
- Black Africa and the US Art World in the Early 20th CenturyAesthetics, White Supremacy, pp. 259 - 267Publisher: Anthem PressPrint publication year: 2024