Book contents
- Frontmatter
- Contents
- Acknowledgements
- List of illustrations
- CHAPTER 1 ‘Introduction: On Faith, Objects and Locality’
- CHAPTER 2 ‘But where is Norfolk?’
- CHAPTER 3 ‘Sacred Image and Regional Identity in Late-Prehistoric Norfolk’
- CHAPTER 4 ‘Piety from the Ploughsoil: Religion in Roman Norfolk through Recent Metal-Detector Finds’
- CHAPTER 5 ‘Paganism in Early-Anglo-Saxon East Anglia’
- CHAPTER 6 ‘Devotion, Pestilence and Conflict: The Medieval Wall Paintings of St Mary the Virgin, Lakenheath’
- CHAPTER 7 ‘Here Be Dragons: The Cult of St Margaret of Antioch and Strategies for Survival’
- CHAPTER 8 ‘The Medieval Jews of Norwich and their Legacy’
- CHAPTER 9 ‘Late-Medieval Glass-Painting in Norfolk: Developments in Iconography and Craft c.1250–1540’
- CHAPTER 10 ‘Graffiti and Devotion in Three Maritime Churches’
- CHAPTER 11 ‘Norfolk Wayside Crosses: Biographies of Landscape and Place’
- CHAPTER 12 ‘Landscapes of Faith and Politics in Early-Modern Norwich’
- CHAPTER 13 ‘Practice and Belief: Manifestations of Witchcraft, Magic and Paganism in East Anglia from the Seventeenth Century to the Present Day’
- CHAPTER 14 ‘Provinciality and the Victorians: Church Design in Nineteenth-Century East Anglia’
- CHAPTER 15 ‘Maharajah Duleep Singh, Elveden and Sikh Pilgrimage’
- CHAPTER 16 ‘Supernatural Folklore and the Popular Imagination: Re-reading Object and Locality in Mid-Nineteenth-Century Norfolk’
- CHAPTER 17 ‘Pro Patria Mori: Christian Rallies and War Memorials of Early-Twentieth-Century Norfolk’
- CHAPTER 18 ‘Pagans in Place, from Stonehenge to Seahenge: “Sacred” Archaeological Monuments and Artefacts in Britain’
- CHAPTER 19 ‘Art, Spirit and Ancient Places in Norfolk’
- CHAPTER 20 ‘Sacred Sites and Blessed Objects: Art and Religion in Contemporary Norfolk’
- Bibliography
- Index
CHAPTER 14 - ‘Provinciality and the Victorians: Church Design in Nineteenth-Century East Anglia’
Published online by Cambridge University Press: 05 April 2013
- Frontmatter
- Contents
- Acknowledgements
- List of illustrations
- CHAPTER 1 ‘Introduction: On Faith, Objects and Locality’
- CHAPTER 2 ‘But where is Norfolk?’
- CHAPTER 3 ‘Sacred Image and Regional Identity in Late-Prehistoric Norfolk’
- CHAPTER 4 ‘Piety from the Ploughsoil: Religion in Roman Norfolk through Recent Metal-Detector Finds’
- CHAPTER 5 ‘Paganism in Early-Anglo-Saxon East Anglia’
- CHAPTER 6 ‘Devotion, Pestilence and Conflict: The Medieval Wall Paintings of St Mary the Virgin, Lakenheath’
- CHAPTER 7 ‘Here Be Dragons: The Cult of St Margaret of Antioch and Strategies for Survival’
- CHAPTER 8 ‘The Medieval Jews of Norwich and their Legacy’
- CHAPTER 9 ‘Late-Medieval Glass-Painting in Norfolk: Developments in Iconography and Craft c.1250–1540’
- CHAPTER 10 ‘Graffiti and Devotion in Three Maritime Churches’
- CHAPTER 11 ‘Norfolk Wayside Crosses: Biographies of Landscape and Place’
- CHAPTER 12 ‘Landscapes of Faith and Politics in Early-Modern Norwich’
- CHAPTER 13 ‘Practice and Belief: Manifestations of Witchcraft, Magic and Paganism in East Anglia from the Seventeenth Century to the Present Day’
- CHAPTER 14 ‘Provinciality and the Victorians: Church Design in Nineteenth-Century East Anglia’
- CHAPTER 15 ‘Maharajah Duleep Singh, Elveden and Sikh Pilgrimage’
- CHAPTER 16 ‘Supernatural Folklore and the Popular Imagination: Re-reading Object and Locality in Mid-Nineteenth-Century Norfolk’
- CHAPTER 17 ‘Pro Patria Mori: Christian Rallies and War Memorials of Early-Twentieth-Century Norfolk’
- CHAPTER 18 ‘Pagans in Place, from Stonehenge to Seahenge: “Sacred” Archaeological Monuments and Artefacts in Britain’
- CHAPTER 19 ‘Art, Spirit and Ancient Places in Norfolk’
- CHAPTER 20 ‘Sacred Sites and Blessed Objects: Art and Religion in Contemporary Norfolk’
- Bibliography
- Index
Summary
INTRODUCTION
Norfolk and Suffolk are cherished for their old churches. They all look medieval, in contrast to many other regions of Britain where most churches look Victorian. However, the ecclesiastical world of the nineteenth century did leave its mark in these counties, too. The Anglican Church Revival saw that old churches were restored and new churches built where needed, with modest ones in the country but more prominent ones in towns. The new stress on a more artful ritual required new fittings and more striking décor, for instance with the help of colourful stained glass. As everywhere else in Britain, Roman Catholics made their presence felt with some conspicuous buildings, as did all the Non-Conformist denominations. What is striking as regards the designers, as well as the patrons, of these new churches and restorations, is a certain tension between specifically local or regional factors and a marked desire to be part of a greater, national whole, centred on London.
BUILDING CHURCHES
Most nineteenth- and twentieth-century views of East Anglia, at least of its easternmost parts, involve a geopolitical perspective, defining the region in relation to the country as a whole and its major centres. The standard comment about Norfolk and Suffolk is that they are ‘distant’ or ‘remote’ regions, with all the disadvantages this might entail.
- Type
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- Information
- Art, Faith and Place in East AngliaFrom Prehistory to the Present, pp. 209 - 222Publisher: Boydell & BrewerPrint publication year: 2012