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Chapter 47 - Mycenaean Art and ‘International Art’

from Part VII - Aegean Art of the Mainland Mycenaean Palatial Period

Published online by Cambridge University Press:  19 May 2022

Jean-Claude Poursat
Translated by
Carl Knappett
Jean-Claude Poursat
Affiliation:
University of Clermont-Ferrand
Carl Knappett
Affiliation:
University of Toronto
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Summary

There have been imports, imitations, and artistic transfers between the Aegean world and its neighbouring powers, whether Egypt or the Near East, in all periods (Smith 1965; Crowley 1989; Davies and Schofield 1995 ; Aruz 2008b; Aruz 2013). What is new between around 1400 and 1200 bc is the appearance of hybrid artworks, made of precious or semi-precious materials (gold, ivory, faience), that borrow their motifs from diverse sources to create an original style; they are subject to exchange among the elites of the Mediterranean world, accompany diplomatic relations (ambassadors, merchants, artists, dynastic marriages), and bear witness to an international culture.

Type
Chapter
Information
The Art and Archaeology of the Aegean Bronze Age
A History
 , pp. 451 - 456
Publisher: Cambridge University Press
Print publication year: 2022

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References

Further Reading

Feldman, 2006: Feldman, M., Diplomacy by Design: Luxury Arts and an ‘International Style’ in the Ancient Near East, 1400–1200 BCE, Chicago, IL.Google Scholar
Gachet-Bizollon, 2007: Gachet-Bizollon, J., Les ivoires d’Ougarit, Paris.Google Scholar
Kantor, 1947: Kantor, H., The Aegean and the Orient in the Second Millennium B.C., Bloomington, IN.CrossRefGoogle Scholar
Loud, 1939: Loud, G., The Megiddo Ivories, Chicago, IL.Google Scholar
Poursat, 1977b: Poursat, J.-C., Les ivoires mycéniens, Paris.Google Scholar

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