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6 - Grammar for designers: how grammar supports the development of writing

Published online by Cambridge University Press:  26 April 2011

Debra Myhill
Affiliation:
University of Exeter
Sue Ellis
Affiliation:
University of Strathclyde
Elspeth McCartney
Affiliation:
University of Strathclyde
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Summary

Introduction

The mechanic should sit down among levers, screws, wedges, wheels etc. like a poet among the letters of the alphabet, considering them as the exhibition of his thoughts, in which a new arrangement transmits a new Idea to the world.

(Robert Fulton – nineteenth-century engineer)

A synergy between the work of a mechanic and the work of a writer is not the most obvious one, perhaps, yet Robert Fulton's analogy (Barlex and Givens 1995: 48) between the mechanic and the poet is an apt one. Both have to create products from the materials available, be that physical materials or linguistic resources; both have to test things out to see how they work; both have to make choices and decisions about the purpose of their work; and both have to evaluate their work critically before presenting it to the world as a new creation. At the heart of this creative activity is the concept of design. This chapter sets out to illustrate how, within a theoretical framework that conceives of writers as designers, linguistic resources and linguistic understanding play a crucial role in supporting the development of design capability in writing.

Writers as designers

I should like to lay the foundation for this chapter by elaborating the framework of writers as designers before narrowing the focus more specifically to the role of grammar and linguistics in a pedagogy of writing.

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Publisher: Cambridge University Press
Print publication year: 2011

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