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5 - Chekhov and Merezhkovskii: Two Types of Artistic-Philosophical Consciousness

from Part Two - Dmitrii Merezhkovskii

Published online by Cambridge University Press:  05 March 2012

Aleksandr Chudakov
Affiliation:
Moscow State University
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Summary

Chekhov took an interest in Merezhkovskii after the latter wrote an extensive article on the writer in the November 1888 issue of The Northern Herald (Severnyi Vestnik). In his letter to Suvorin of 3 November, Chekhov, providing a detailed analysis of the article (unprecedented in Chekhov's letters), expressed a series of problems he had with the author. The main one was a disagreement on the point that problems of creativity cannot be reduced to the laws of nature:

Whoever has absorbed the wisdom of the scientific method and who therefore is able to think scientifically experiences many wonderful temptations […] One wishes to find the physical laws of creativity, to capture the general law and formulae by which an artist, feeling them instinctively, creates musical pieces, landscapes, etc. […] From this springs the temptation – to write a physiology of the creative act (Boborykin), and in the case of those who are more young and shy – to refer to science and the laws of nature (Merezhkovskii).

There were other charges too – that Merezhkovskii finds ‘failures’ amongst Chekhov's heroes, and thus follows the well-trodden path: ‘It's time to abandon failures, superfluous people and to invent something of one's own’.

However, Chekhov assessed the article on the whole – indeed one of the best in the early Chekhoviana – as ‘quite a pleasant thing’.

Chekhov also liked the author himself. ‘Twice the poet Merezhkovskii visited me’, Chekhov wrote to Suvorin on 5 January 1891; ‘he is a very clever person’.

Type
Chapter
Information
Anton Chekhov Through the Eyes of Russian Thinkers
Vasilii Rozanov, Dmitrii Merezhkovskii and Lev Shestov
, pp. 93 - 112
Publisher: Anthem Press
Print publication year: 2010

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