Book contents
- Frontmatter
- Contents
- List of illustrations
- Foreword to the English translation by J. K. Elliott
- Translator's preface
- Foreword to the first French edition
- Preface to the second French edition
- List of abbreviations
- Introduction
- 1 THE SOURCES OF TEXTUAL CRITICISM
- 2 THE METHOD OF TEXTUAL CRITICISM
- 3 THE HISTORY OF THE WRITTEN TEXT
- 4 THE HISTORY AND THE FUTURE OF THE PRINTED TEXT
- BIBLIOGRAPHY
- Index of modern authors and editors
- Index of ancient authors
- Index of individual manuscripts cited
- General index
3 - THE HISTORY OF THE WRITTEN TEXT
Published online by Cambridge University Press: 24 November 2009
- Frontmatter
- Contents
- List of illustrations
- Foreword to the English translation by J. K. Elliott
- Translator's preface
- Foreword to the first French edition
- Preface to the second French edition
- List of abbreviations
- Introduction
- 1 THE SOURCES OF TEXTUAL CRITICISM
- 2 THE METHOD OF TEXTUAL CRITICISM
- 3 THE HISTORY OF THE WRITTEN TEXT
- 4 THE HISTORY AND THE FUTURE OF THE PRINTED TEXT
- BIBLIOGRAPHY
- Index of modern authors and editors
- Index of ancient authors
- Index of individual manuscripts cited
- General index
Summary
THE PERIOD OF RELATIVE FREEDOM (to AD 313)
The history of the text during this period is as important as it is difficult to reconstruct. The ecclesiastical writers give very few clues. The historian finds himself like someone trying to do a jigsaw puzzle which has most of the pieces missing and some of the rest damaged. He has to settle for a rough outline, much of it guesswork. With admirable good sense, most authors skim lightly over this period of the text, but, as long as the use of hypothesis is acknowledged as legitimate, there is no need to follow their example. Bearing that in mind, the reader is asked to forgive the numerous question marks in the pages which follow; there could doubtless be many more still.
COMPOSING A TEXT AND COMMITTING IT TO WRITING
When a piece of prose is produced today, its composition and its setting down in written form tend to be one and the same act. It starts off as a rough draft; then it becomes an autograph manuscript, that is, one written by the author himself; this, in turn, is used to produce the proofs of a book which is finally published in a (first) edition.
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- Chapter
- Information
- An Introduction to New Testament Textual Criticism , pp. 89 - 128Publisher: Cambridge University PressPrint publication year: 1991