Book contents
- Frontmatter
- Contents
- Illustrations
- Acknowledgements
- Abbreviations
- Introduction: Algeria: Nation, Culture and Transnationalism 1988–2015
- Nation, State and Society
- Cultural Mediations
- Writing in the Aftermath of Two Wars: Algerian Modernism and the Génération ’88
- The Persistence of the Image, the Lacunae of History: The Archive and Contemporary Art in Algeria (1992–2012)
- Music, Borders and Nationhood in Algeria
- Algerian Youth on the Move. Capoeira, Street Dance and Parkour: Between Integration and Contestation
- Sport in Algeria – from National Self-assertion to Anti-state Contestation
- Beyond France-Algeria: The Algerian Novel and the Transcolonial Imagination
- Afterword: Performing Algerianness: The National and Transnational Construction of Algeria's ‘Culture Wars’
- Notes on Contributors
- Index
Sport in Algeria – from National Self-assertion to Anti-state Contestation
from Cultural Mediations
- Frontmatter
- Contents
- Illustrations
- Acknowledgements
- Abbreviations
- Introduction: Algeria: Nation, Culture and Transnationalism 1988–2015
- Nation, State and Society
- Cultural Mediations
- Writing in the Aftermath of Two Wars: Algerian Modernism and the Génération ’88
- The Persistence of the Image, the Lacunae of History: The Archive and Contemporary Art in Algeria (1992–2012)
- Music, Borders and Nationhood in Algeria
- Algerian Youth on the Move. Capoeira, Street Dance and Parkour: Between Integration and Contestation
- Sport in Algeria – from National Self-assertion to Anti-state Contestation
- Beyond France-Algeria: The Algerian Novel and the Transcolonial Imagination
- Afterword: Performing Algerianness: The National and Transnational Construction of Algeria's ‘Culture Wars’
- Notes on Contributors
- Index
Summary
Introduction: Sport and the Transnational
Research on sport has traditionally prioritized the linkage between ‘sportization’ – understood as ‘the competitive, regularized, rationalized, and gendered bodily exertions of achievement sport’ (Maguire, 2007) – and both social modernity and the spread of nationalism. However, the rise of modern games was also intrinsically transnational:
The globalization of sport ‘took off’ from the 1870s onwards, as the ‘games revolution’ colonized British imperial outposts […], the ‘global game’ of football underwent mass diffusion along British trading and educational routes […], and distinctive indigenous sports were forged as part of the invention of national traditions in emerging modern societies. (Giulianotti and Robertson, 2007: 108)
While the British Empire may have dominated this process of diffusion, French pioneers also contributed significantly as sporting evangelizers, most obviously through the creation of international bodies and competitions which still dominate today's globalized ‘sportscape’. The Olympic Games were inaugurated in their modern form in 1896 by Baron Pierre de Coubertin, operating through the Comité Olympique International (COI), which he had established in Paris in 1894. The football World Cup was launched in 1930 by Jules Rimet, President of the Fédération Internationale de Football Association (FIFA), which had been founded in Paris in 1904. These quadrennial mega-events were thus authentically French contributions to the sporting invention of tradition, providing the organizational framework for much that is most visibly transnational in modern sport.
As a committed imperialist, Coubertin was determined to use sport for colonial ends. He campaigned, unsuccessfully, for the establishment of an African Games, which he went so far as to schedule provisionally for Algiers in 1925 (Auger, 2000: 65–66). By this date, the quintessentially Olympic sport of athletics had been durably implanted in France's North African colonies, particularly in the sphere of distance running. The international competitive advantage resulting from this successful dissemination was highlighted by the victory of the Algerian-born Ahmed Boughera El Ouafi in the marathon at the 1928 (Amsterdam) Olympic Games, who became Africa's first gold medallist, albeit in French colours (Gastaut, 2003: 10–11). Athletics would continue to be exploited for the purposes of colonial consolidation and imperial promotion in the decades that followed, culminating in the glittering career of the resolutely pro-French runner Alain Mimoun (born Ali Mimoun Ould Kacha), who followed in El Ouafi's footsteps to win the marathon at the 1956 Olympic Games (Belal, 2000).
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- AlgeriaNation, Culture and Transnationalism: 1988-2015, pp. 203 - 221Publisher: Liverpool University PressPrint publication year: 2017