Book contents
- Frontmatter
- Contents
- Acknowledgements
- List of Acronyms
- Dedication
- Miscellaneous Frontmatter
- INTRODUCTION
- PART I CONTEXT
- PART II CONFRONTING REALITY
- PART III NEW IDENTITIES
- PART IV THE NEW MILLENNIUM
- 9 The Post-Independence Generation
- 10 Mahamat Saleh Haroun (Chad)
- 11 Dani Kouyaté (Burkina Faso)
- 12 Raja Amari (Tunisia)
- 13 Faouzi Bensaidi (Morocco)
- 14 Abderrahmane Sissako (Mauritania)
- Bibliography
- Index
11 - Dani Kouyaté (Burkina Faso)
from PART IV - THE NEW MILLENNIUM
Published online by Cambridge University Press: 05 September 2014
- Frontmatter
- Contents
- Acknowledgements
- List of Acronyms
- Dedication
- Miscellaneous Frontmatter
- INTRODUCTION
- PART I CONTEXT
- PART II CONFRONTING REALITY
- PART III NEW IDENTITIES
- PART IV THE NEW MILLENNIUM
- 9 The Post-Independence Generation
- 10 Mahamat Saleh Haroun (Chad)
- 11 Dani Kouyaté (Burkina Faso)
- 12 Raja Amari (Tunisia)
- 13 Faouzi Bensaidi (Morocco)
- 14 Abderrahmane Sissako (Mauritania)
- Bibliography
- Index
Summary
Why am I so interested in oral dramaturgy? In my view, if Africa is to bring its dance contribution to the universal rondo, where each civilisation brings its own dance, then the technical and dramatic richness of oral dramaturgy can help us.
Dani KouyatéIntroduction
Dani Kouyaté (the name is sometimes spelt as Dany) was born in Bobodioulasso, in Burkina Faso, in 1961. Descended from one of the most celebrated families of griots, his father was the celebrated griot and actor Sotigui Kouyaté, who plays the leading role in Dani's first feature. Within traditional Mande society, with its three-caste structure of nobles, artisans and slaves, griots were ranked in the middle category, alongside blacksmiths and leather-workers, as men of the word. In a society without writing, their role was the preservation of memory and mediation between people and power. Given their control of verbal expression, as both historians and genealogists for their peoples, griots had considerable power and authority. Valérie Thiers-Thiam notes that, ‘The griot enjoys a great freedom of speech, he uses flattery and well as mockery; no-one, not even senior dignitaries, escapes the risk of hearing home truths and seeing himself ridiculed by a griot.’
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- Information
- African FilmmakingNorth and South of the Sahara, pp. 167 - 175Publisher: Edinburgh University PressPrint publication year: 2006