Skip to main content Accessibility help
×
Hostname: page-component-78c5997874-4rdpn Total loading time: 0 Render date: 2024-11-10T01:18:46.314Z Has data issue: false hasContentIssue false

5 - Disorienting: The Orange Eats Creeps (2010)

Published online by Cambridge University Press:  25 January 2021

Get access

Summary

In her introduction to Compassion: The Culture and Politics of an Emotion (2004), titled “Compassion (and Withholding),” Lauren Berlant acknowledges the deep and uncomfortable links among suffering, compassion and aversion, explaining:

Scenes of vulnerability produce a desire to withhold compassionate attachment, to be irritated by the scene of suffering in some way. Repeatedly, we witness someone's desire to not connect, sympathize, or recognize an obligation to the sufferer; to refuse engagement with the scene or to minimize its effects; to misread it conveniently; to snuff or drown it out with pedantically shaped phrases or carefully designed apartheids; not to rescue or help; to go on blithely without conscience; to feel bad for the sufferers, but only so that they will go away quickly. In this book's archive, the aesthetic and political spectacle of suffering vulnerability seems to bring out something terrible, a drive not to feel compassion or sympathy, an aversion to a moral claim on the spectator to engage, when all the spectator wants to do is to turn away quickly and harshly.

Berlant's words call to mind the many overt and subtle acts of aversion targeted at addicts on a daily basis as a consequence of their perceived suffering and vulnerability. That addiction continues to be regarded as a foul invective within the vernacular, as well as the popular imaginary, despite volumes of scientific research confirming that it is, in fact, a real and documented medical condition speaks to the powerful “desire to not connect, sympathize, or recognize an obligation to the sufferer.” Indeed, the systemic manufacturing of “mythological stereotypes that feature in public stigmatization of addiction” points decidedly to a deeply entrenched desire to “withhold compassionate attachment, to be irritated by the scene of suffering in some way.”

Further, the ubiquitous nature of the metaphor of waste, which regards the addict as disposable in myriad ways, provides a potent illustration of the ways in which Western culture systematically minimizes the intrapersonal, interpersonal and social effects of addiction. This same metaphor, which I write about at length in Wasted: Performing Addiction in America (2015), operates as both a “pedantically shaped” discourse designed to condescend to and shame addicts, as well as a “carefully designed [apartheid]” that discursively and tangibly segregates the addict from normal (read sober, moral) culture.

Type
Chapter
Information
Publisher: Anthem Press
Print publication year: 2020

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×