Contents

pp v-vi

List of Figures

pp vii-xi

List of Tables

pp xii-xiii

Notes on Co-authors

pp xiv-xv

Acknowledgements

pp xvi-xvi

List of Abbreviations

pp xvii-xvii

Note on the Text

pp xviii-xviii

Introduction

pp 1-16

Part I - Durand and His Édition Classique

pp 17-18

1 - The Historical Evolution of the Édition Classique

pp 19-38

2 - Charting the Édition: Production Data, Musical Contents and Relationships

pp 39-70

Part II - Composer–Editor Case Studies

pp 71-72

3 - ‘De-Germanising’ Music Publishing: Dukas's Beethoven in Wartime France

pp 73-96

4 - Mozart as ‘Classic’ in Early Twentieth-Century France: The Case of Saint-Saëns's Mozart Editions

pp 97-122

5 - Making Mendelssohn (More) French: Ravel and Six pièces enfantines

pp 123-152

6 - Accenting Bach: An Editorial Trajectory from Fauré to Roger-Ducasse

pp 153-188

7 - Repackaging the Old Masters: The Place of Early Keyboard Music in the Édition Classique

pp 189-218

8 - Debussy's Homage to Chopin: As Editor, Performer and Composer

pp 219-252

Part III - Beyond Editing: Pedagogy, Performance, Composition

pp 253-254

9 - The Édition Classique in Action: Pedagogy and Performance

pp 255-288

10 - The Édition Classique and French Neoclassicism: L’École moderne as Exemplar

pp 289-322

Afterword

pp 323-330

Select Bibliography

pp 331-346

Index

pp 347-364