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3 - On disenchantment

Published online by Cambridge University Press:  22 September 2009

Daniel Chua
Affiliation:
King's College London
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Summary

For the German sociologist Max Weber, modernity is marked by the ‘disenchantment of the world [Entzauberung der Welt]’. What segregates the modern from the ancient world is a process of ‘de-magification’, whereby Western society exorcises itself of its fear of demons, ghosts and goblins. Modern humanity no longer submits itself to the spell of superstition and the sacred rituals of power, but has demystified its existence through the calculations of science and the bureaucratic apparatus of state. What was supernatural has been rationalised as merely the natural; the ‘fear of things invisible’, as Thomas Hobbes puts it, has been dispelled by the clarity of reason; the authority of religion has been replaced by the politics of state. The modernisation of society is therefore its secularisation; humanity, by disenchanting the world, needs believe in no other god than itself.

But for Weber secularisation is a fateful process. He sees the seed of this catastrophe in the fruit of knowledge that enticed humanity with the promise of enlightenment. Weber's sociology replays the narrative of Eden in secular terms: ‘The fate of an epoch which has eaten of the tree of knowledge’, he writes, ‘is that it must know that [it] cannot learn the meaning of the world from the result of its analysis.’

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Publisher: Cambridge University Press
Print publication year: 1999

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  • On disenchantment
  • Daniel Chua, King's College London
  • Book: Absolute Music and the Construction of Meaning
  • Online publication: 22 September 2009
  • Chapter DOI: https://doi.org/10.1017/CBO9780511481697.004
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  • On disenchantment
  • Daniel Chua, King's College London
  • Book: Absolute Music and the Construction of Meaning
  • Online publication: 22 September 2009
  • Chapter DOI: https://doi.org/10.1017/CBO9780511481697.004
Available formats
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Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • On disenchantment
  • Daniel Chua, King's College London
  • Book: Absolute Music and the Construction of Meaning
  • Online publication: 22 September 2009
  • Chapter DOI: https://doi.org/10.1017/CBO9780511481697.004
Available formats
×