Book contents
- Music and Culture in the Middle Ages and Beyond
- Music and Culture in the Middle Ages and Beyond
- Copyright page
- Dedication
- Contents
- Figures
- Tables
- Examples
- Contributors
- Introduction
- Part I Chant, Liturgy, and Ritual
- Part II Archival and Source Studies
- 6 The Sources and the Sanctorale
- 7 Vernacular Contexts for the Monophonic Motet
- 8 Tradition and Innovation in Fourteenth-Century Instrumental Music
- 9 Melchior or Marchion de Civilibus, prepositus brixiensis
- 10 Papal Musicians at Cambrai in the Early Fifteenth Century
- 11 Sixtus IV, the Franciscans, and the Beginning of Music Printing in Fifteenth-Century Rome
- Part III Symbolism
- Bibliography
- Index
10 - Papal Musicians at Cambrai in the Early Fifteenth Century
from Part II - Archival and Source Studies
Published online by Cambridge University Press: 03 November 2016
Book contents
- Music and Culture in the Middle Ages and Beyond
- Music and Culture in the Middle Ages and Beyond
- Copyright page
- Dedication
- Contents
- Figures
- Tables
- Examples
- Contributors
- Introduction
- Part I Chant, Liturgy, and Ritual
- Part II Archival and Source Studies
- 6 The Sources and the Sanctorale
- 7 Vernacular Contexts for the Monophonic Motet
- 8 Tradition and Innovation in Fourteenth-Century Instrumental Music
- 9 Melchior or Marchion de Civilibus, prepositus brixiensis
- 10 Papal Musicians at Cambrai in the Early Fifteenth Century
- 11 Sixtus IV, the Franciscans, and the Beginning of Music Printing in Fifteenth-Century Rome
- Part III Symbolism
- Bibliography
- Index
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- Music and Culture in the Middle Ages and BeyondLiturgy, Sources, Symbolism, pp. 191 - 206Publisher: Cambridge University PressPrint publication year: 2016