Music and Culture in the Middle Ages and Beyond - Title page

pp iii-iii

Copyright page

pp iv-iv

Dedication

pp v-iv

Contents

pp v-viii

Figures

pp ix-x

Tables

pp xi-xi

Examples

pp xii-xiii

Contributors

pp xiv-xv

Introduction

pp xvi-10

Part I - Chant, Liturgy, and Ritual

pp 11-108

1 - Music and Liturgy in Medieval Capua

pp 13-27

2 - The Model Antiphon Series Primum quaerite in Hucbald’s Office In plateis and in Other Post-Carolingian Chant

pp 28-54

3 - Singing from the Pulpit

pp 55-71

4 - Liturgy and Politics in Renaissance Florence

pp 72-88

5 - Music and Pageantry in the Formation of Hispano-Christian Identity

pp 89-108

Part II - Archival and Source Studies

pp 109-222

6 - The Sources and the Sanctorale

pp 111-141

7 - Vernacular Contexts for the Monophonic Motet

pp 142-157

8 - Tradition and Innovation in Fourteenth-Century Instrumental Music

pp 158-174

9 - Melchior or Marchion de Civilibus, prepositus brixiensis

pp 175-190

10 - Papal Musicians at Cambrai in the Early Fifteenth Century

pp 191-206

11 - Sixtus IV, the Franciscans, and the Beginning of Music Printing in Fifteenth-Century Rome

pp 207-222

Part III - Symbolism

pp 223-312

12 - The Gate that Carries Christ

pp 225-241

13 - A Musical Lesson for a King from the Roman de Fauvel

pp 242-262

14 - Preaching to the Choir?

pp 263-292

15 - The Madonna Triptych

pp 293-312

Bibliography

pp 313-350

Index

pp 351-362