Book contents
- Frontmatter
- Contents
- List of Illustrations
- Preface
- Introduction
- Music as Metaphor in Etty Hillesum’s Spirituality
- A “staretz” in Camp Westerbork: The Connections Between Slavic Orthodoxy and the Spirituality of Etty Hillesum
- Etty Hillesum: Humanity as a Task
- Etty Hillesum & Albert Konrad Gemmeker: A Twofold Analysis of the Perpetration of the Westerbork Commander
- “Now is the Time to Put into Practice: Love Your Enemies”: Several Notes on Hillesum’s “Love for Enemies” in Levenskunst
- The Cares of the Pagans: The Reading of Matthew 6:25-34 by Søren Kierkegaard and Etty Hillesum
- Dialogizing Life amidst a Culture of Death: Etty Hillesum, Dostoevsky’s Grand Inquisitor and Nazi Reductionism
- Patience and Hope in the Writings of Julian of Norwich and Etty Hillesum
- The Girl Who Could Not Kneel: Etty Hillesum and the Turn Inward
- Etty Hillesum and Charlotte Salomon: Pregnancy as a Theme in Their Lives and Works
- Wandering Beyond Words: Etty Hillesum and Clarice Lispector
- “Verbalize, Vocalize, Visualize”: Creative Death and Performative Writing in the Testimonies of Hillesum and Levi
- A “No” that Is an Affirmation: Etty Hillesum and Simone Weil Against the Laws of Force
- From Enclosure to Disclosure: Images of the Self in Etty Hillesum’s Diary
- A Story of Individuation in the Writings of Etty Hillesum: A Jungian Perspective
- Mad Midrash in the Diaries of Etty Hillesum
- The Mystery of Encounter: Poetry and Faith After Auschwitz in the Work of Paul Celan and Etty Hillesum
- Can Religion Help Heal a World Broken by Trauma?: Etty Hillesum as Our Ancestor in the Qahal Goyim
- The Contours of These Times:Etty Hillesum as Chronicler of Love Transcending Hate in Her Times, for Our Time, for All Time
- Etty Hillesum’s Hand Analysis: The Prologue to Her Diaries
- Suffering, Silence, and Wisdom in the Life of Etty Hillesum
- Feeding the Soul: Etty Hillesum’s Pedagogical and Spiritual Path
- Am I Really a Woman?: A Question About Female Identity in Etty Hillesum
- A Powerless God: Etty Hillesum and Dietrich Bonhoeffer
- New Light on Etty Hillesum’s Actions in Camp Westerbork
- “My Beloved Desk, the Best Place on this Earth”: Etty Hillesum Says Goodbye to Her Familiar Surroundings
- Etty Hillesum’s Humanism: Ethical, Philosophical and Theological Comments
- Etty Hillesum’s Struggle to See Clearly: A Story of Two Worlds
- Present Traces of a Past Existence: Through the Lens of Photography
- Etty Hillesum Bibliography
- Works on Etty Hillesum
- Index of Names and Subjects
- Index of Citations
“Verbalize, Vocalize, Visualize”: Creative Death and Performative Writing in the Testimonies of Hillesum and Levi
Published online by Cambridge University Press: 21 November 2020
- Frontmatter
- Contents
- List of Illustrations
- Preface
- Introduction
- Music as Metaphor in Etty Hillesum’s Spirituality
- A “staretz” in Camp Westerbork: The Connections Between Slavic Orthodoxy and the Spirituality of Etty Hillesum
- Etty Hillesum: Humanity as a Task
- Etty Hillesum & Albert Konrad Gemmeker: A Twofold Analysis of the Perpetration of the Westerbork Commander
- “Now is the Time to Put into Practice: Love Your Enemies”: Several Notes on Hillesum’s “Love for Enemies” in Levenskunst
- The Cares of the Pagans: The Reading of Matthew 6:25-34 by Søren Kierkegaard and Etty Hillesum
- Dialogizing Life amidst a Culture of Death: Etty Hillesum, Dostoevsky’s Grand Inquisitor and Nazi Reductionism
- Patience and Hope in the Writings of Julian of Norwich and Etty Hillesum
- The Girl Who Could Not Kneel: Etty Hillesum and the Turn Inward
- Etty Hillesum and Charlotte Salomon: Pregnancy as a Theme in Their Lives and Works
- Wandering Beyond Words: Etty Hillesum and Clarice Lispector
- “Verbalize, Vocalize, Visualize”: Creative Death and Performative Writing in the Testimonies of Hillesum and Levi
- A “No” that Is an Affirmation: Etty Hillesum and Simone Weil Against the Laws of Force
- From Enclosure to Disclosure: Images of the Self in Etty Hillesum’s Diary
- A Story of Individuation in the Writings of Etty Hillesum: A Jungian Perspective
- Mad Midrash in the Diaries of Etty Hillesum
- The Mystery of Encounter: Poetry and Faith After Auschwitz in the Work of Paul Celan and Etty Hillesum
- Can Religion Help Heal a World Broken by Trauma?: Etty Hillesum as Our Ancestor in the Qahal Goyim
- The Contours of These Times:Etty Hillesum as Chronicler of Love Transcending Hate in Her Times, for Our Time, for All Time
- Etty Hillesum’s Hand Analysis: The Prologue to Her Diaries
- Suffering, Silence, and Wisdom in the Life of Etty Hillesum
- Feeding the Soul: Etty Hillesum’s Pedagogical and Spiritual Path
- Am I Really a Woman?: A Question About Female Identity in Etty Hillesum
- A Powerless God: Etty Hillesum and Dietrich Bonhoeffer
- New Light on Etty Hillesum’s Actions in Camp Westerbork
- “My Beloved Desk, the Best Place on this Earth”: Etty Hillesum Says Goodbye to Her Familiar Surroundings
- Etty Hillesum’s Humanism: Ethical, Philosophical and Theological Comments
- Etty Hillesum’s Struggle to See Clearly: A Story of Two Worlds
- Present Traces of a Past Existence: Through the Lens of Photography
- Etty Hillesum Bibliography
- Works on Etty Hillesum
- Index of Names and Subjects
- Index of Citations
Summary
Abstract
The suggestive testimonies of Etty Hillesum and Primo Levi challenge us to reflect upon one of the most important questions of our time: What constitutes a human being? Thanks to the poetical function in their narratives, and taking into account the vulnerable communication between the authors and their readers, there are no answers given in their texts, only a serious call to take responsibility, cooperate with the text, and let it affect you. The author argues that their writing affects us and changes our perception of life as well as of our inner selves if we cooperate – critically and constructively – with the texts in question.
Keywords: Primo Levi, essence of human beings, poetical language, communication, conception of God, Other, death.
All philosophical knowledge has its unique expression in language.
− Walter BenjaminStories are much bigger than ideologies. In that is our hope.
− Donna HarawayTheoretical Reflections
Neither Etty Hillesum nor Primo Levi could be labeled a novelist or poet. Both Jewish thinkers and writers have, however, through their very different narratives, helped us understand the systematic cruelty and surprising complexity of the Shoah. Their texts are far from fiction and have no reference to “l’art pour l’art”, art for its own sake, nor to the more exact expression: an aesthetic conception of art as independent in relation to motives and morals. Nevertheless, the texts of the concentration camp victim, Hillesum, and the survivor, Levi, are definitely driven by an effective poetical function. Is this a contradiction? No. There is no contradiction if we think along lines laid out by Roman Jakobson (1896-1982), a Russian-born linguist and philosopher active in the inter-war period and still highly topical today.
Jakobson wrote about the poetical function, which he said was found not only in what we normally call “poetry” such as lyrics and poems, but also in other genres. At the same time, he insisted upon the fact that poetry cannot be reduced to its poetical function only. He pointed out that the poetical does not reside in a specific theme or a choice of motive.
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- Lasting Significance of Etty Hillesum's Writings , pp. 177 - 188Publisher: Amsterdam University PressPrint publication year: 2019