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22 - Critical cARTography: mapping spaces for dialogue about identity and artistic practices

from Part IV - Knowledge creation

Published online by Cambridge University Press:  08 June 2018

Andy Rutkowski
Affiliation:
Geospatial Resources Librarian at the University of California Los Angeles
Stacy R. Williams
Affiliation:
Head of the Helen Topping Architecture and Fine Arts Library at the University of Southern California
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Summary

Introduction

One of the most exciting aspects of digital mapping projects is their ability to speak to users and facilitate discussion. In many ways, printed maps can do the same thing. If you take a historical map of a city that shows population density and place it in front of a group of students or community members, it will not be long before a discussion begins on neighbourhood change, migration patterns, or visualization techniques and methods. In her introduction to Infinite City: a San Francisco atlas, Rebecca Solnit writes that ‘every place is if not infinite then practically inexhaustible’ (Solnit, Pease and Siegel, 2010, 2). As a result, maps provide a framework for interpretation, discussion and reflective thinking. In many ways, academic librarianship, much like a map, is rooted in providing information to an audience. The mechanism for this exchange of information is multifaceted, and it can occur in a classroom, within collection development policies, at the reference desk, in a research guide, or during an online chat. This chapter asks, ‘Why not use a map?’

The digital map-making process is one method for librarians to experiment in providing access to information and sharing that information to a wide audience of users. As digital humanities-based research becomes more prevalent in academia, how can librarians leverage some of the methods and tools used to create our own digital projects to advance emerging literacies and reframe our library collections for new audiences? Moreover, as we develop partnerships with faculty in the classroom, how can we become engaged in pedagogy that helps not only add value to, but also shapes a syllabus? The results of a recent international survey that asked questions of art and design librarians in higher education pointed to emerging tasks that ‘relate to online communication and services’ and concluded that ‘librarians might serve as guides who create original information and direct users to supplemental resources’ (Carpenter et al., 2010, 22, 27).

In the following pages, we hope to expand on this finding by discussing two mapping projects that point to and highlight existing resources and offer a way for users to reinterpret these collections for their own research.

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Publisher: Facet
Print publication year: 2017

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