Book contents
- Frontmatter
- Contents
- Figures and frames
- Acknowledgements
- Abbreviations
- Preface: a Deleuzian cineosis
- PART ONE UNFOLDING THE CINEOSIS
- Section I First Introduction – Two Regimes of Images
- Section II Second Introduction – A Series of Images and Signs
- PART TWO ENFOLDING THE CINEOSIS
- Section III Third Introduction – Cinematographics (1995–2015)
- 1 Le scaphandre et le papillon/The Diving Bell and the Butterfly. Solid perception
- 2 Timecode. Liquid perception
- 3 Naqoyqatsi. Gaseous perception
- 4 Theeviravaathi/The Terrorist. Icon
- 5 Despicable Me, Despicable Me 2 and Minions. Dividual
- 6 Le quattro volte/Four Times. Any-space-whatever
- 7 The Human Centipede (First Sequence). Symptom
- 8 Harry Potter and the Deathly Hallows: Part 1and Harry Potter and the Deathly Hallows: Part 2. Fetish
- 9 Innocence. Originary World
- 10 Madeo/Mother. Index of lack
- 11 The Killer Inside Me. Index of equivocity
- 12 Ajami. Vector
- 13 marxism today (prologue) and untitled. Milieu
- 14 Made in Dagenham. Binomial
- 15 Fish Tank. Imprint
- 16 Tian bian yi duo yun/The Wandering Cloud. Plastic figure
- 17 Scott Pilgrim vs. the World. Theatrical figure
- 18 Source Code. Mise en abyme
- 19 Four Lions. Figure of the sublime
- 20 Slackistan. Figure of enfeeblement
- 21 Un homme qui crie/A Screaming Man. Quotidian
- 22 Monsters. Limit of the large form action-image
- 23 Brooklyn's Finest. Limit of the small form action-image
- 24 Metro Manila. Limit of the action-image
- 25 Star Trek – First Contact. Rich dreams
- 26 The Machinist. Restrained dreams
- 27 Inception. Movement of world
- 28 El secreto de sus ojos/The Secret in Their Eyes. Strong destiny
- 29 White Material. Weak destiny
- 30 Triangle. Forking paths
- 31 Se7en. Mark
- 32 Doctor Who – The Day of the Doctor. Demark
- 33 Buried. Symbol
- 34 Five. Opsigns and sonsigns
- 35 Black Swan. Mirrors face to face
- 36 Self Made. Limpid and opaque
- 37 Synecdoche, New York. Seed and environment
- 38 Loong Boonmee raleuk chat/Uncle Boonmee Who Can Recall His Past Lives. Peaks of the present
- 39 Russkiy kovcheg/Russian Ark. Sheets of the past
- 40 Er shi si cheng ji/24 City. Powers of the false
- 41 I'm Not There. Bodies of attitude
- 42 Politist, adjectiv/Police, Adjective. Bodies of gest
- 43 Dogville. Cinema of the brain
- 44 Enter the Void. Lectosigns
- Select Bibliography
- Filmography
- Index
8 - Harry Potter and the Deathly Hallows: Part 1and Harry Potter and the Deathly Hallows: Part 2. Fetish
from Section III - Third Introduction – Cinematographics (1995–2015)
Published online by Cambridge University Press: 18 December 2019
Book contents
- Frontmatter
- Contents
- Figures and frames
- Acknowledgements
- Abbreviations
- Preface: a Deleuzian cineosis
- PART ONE UNFOLDING THE CINEOSIS
- Section I First Introduction – Two Regimes of Images
- Section II Second Introduction – A Series of Images and Signs
- PART TWO ENFOLDING THE CINEOSIS
- Section III Third Introduction – Cinematographics (1995–2015)
- 1 Le scaphandre et le papillon/The Diving Bell and the Butterfly. Solid perception
- 2 Timecode. Liquid perception
- 3 Naqoyqatsi. Gaseous perception
- 4 Theeviravaathi/The Terrorist. Icon
- 5 Despicable Me, Despicable Me 2 and Minions. Dividual
- 6 Le quattro volte/Four Times. Any-space-whatever
- 7 The Human Centipede (First Sequence). Symptom
- 8 Harry Potter and the Deathly Hallows: Part 1and Harry Potter and the Deathly Hallows: Part 2. Fetish
- 9 Innocence. Originary World
- 10 Madeo/Mother. Index of lack
- 11 The Killer Inside Me. Index of equivocity
- 12 Ajami. Vector
- 13 marxism today (prologue) and untitled. Milieu
- 14 Made in Dagenham. Binomial
- 15 Fish Tank. Imprint
- 16 Tian bian yi duo yun/The Wandering Cloud. Plastic figure
- 17 Scott Pilgrim vs. the World. Theatrical figure
- 18 Source Code. Mise en abyme
- 19 Four Lions. Figure of the sublime
- 20 Slackistan. Figure of enfeeblement
- 21 Un homme qui crie/A Screaming Man. Quotidian
- 22 Monsters. Limit of the large form action-image
- 23 Brooklyn's Finest. Limit of the small form action-image
- 24 Metro Manila. Limit of the action-image
- 25 Star Trek – First Contact. Rich dreams
- 26 The Machinist. Restrained dreams
- 27 Inception. Movement of world
- 28 El secreto de sus ojos/The Secret in Their Eyes. Strong destiny
- 29 White Material. Weak destiny
- 30 Triangle. Forking paths
- 31 Se7en. Mark
- 32 Doctor Who – The Day of the Doctor. Demark
- 33 Buried. Symbol
- 34 Five. Opsigns and sonsigns
- 35 Black Swan. Mirrors face to face
- 36 Self Made. Limpid and opaque
- 37 Synecdoche, New York. Seed and environment
- 38 Loong Boonmee raleuk chat/Uncle Boonmee Who Can Recall His Past Lives. Peaks of the present
- 39 Russkiy kovcheg/Russian Ark. Sheets of the past
- 40 Er shi si cheng ji/24 City. Powers of the false
- 41 I'm Not There. Bodies of attitude
- 42 Politist, adjectiv/Police, Adjective. Bodies of gest
- 43 Dogville. Cinema of the brain
- 44 Enter the Void. Lectosigns
- Select Bibliography
- Filmography
- Index
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- Deleuze's Cinema BooksThree Introductions to the Taxonomy of Images, pp. 205 - 208Publisher: Edinburgh University PressPrint publication year: 2016