Book contents
- Frontmatter
- Contents
- Figures and frames
- Acknowledgements
- Abbreviations
- Preface: a Deleuzian cineosis
- PART ONE UNFOLDING THE CINEOSIS
- Section I First Introduction – Two Regimes of Images
- Section II Second Introduction – A Series of Images and Signs
- PART TWO ENFOLDING THE CINEOSIS
- Section III Third Introduction – Cinematographics (1995–2015)
- Select Bibliography
- Filmography
- Index
PART TWO - ENFOLDING THE CINEOSIS
Published online by Cambridge University Press: 18 December 2019
Book contents
- Frontmatter
- Contents
- Figures and frames
- Acknowledgements
- Abbreviations
- Preface: a Deleuzian cineosis
- PART ONE UNFOLDING THE CINEOSIS
- Section I First Introduction – Two Regimes of Images
- Section II Second Introduction – A Series of Images and Signs
- PART TWO ENFOLDING THE CINEOSIS
- Section III Third Introduction – Cinematographics (1995–2015)
- Select Bibliography
- Filmography
- Index
Summary
A film … always has one type of image which is dominant … a point of view on the whole of the film … itself a ‘reading’ of the whole film. (C1: 70)
Classification schemes … are flexible, their criteria vary according to the cases presented. (TRM: 285)
- Type
- Chapter
- Information
- Deleuze's Cinema BooksThree Introductions to the Taxonomy of Images, pp. 175 - 176Publisher: Edinburgh University PressPrint publication year: 2016