Book contents
- Frontmatter
- Contents
- List of Figures
- The Contributors
- Introduction: The Art of In-Betweenness in Contemporary Eastern European Cinema
- Part 1 Entangled Sens ations, Cinema in-between the Arts
- 1 Intermedially Emotional: Musical Mood Cues, Disembodied Feelings in Contemporary Hungarian Melodramas
- 2 Black-and-White Sensations of History and Female Identity in Contemporary Polish and Czech Cinema
- 3 Sculpture and Affect in Cinema’s Expanded Field. From Aleksey Gherman’s Hard to Be a God to Aleksey Gherman Jr’s Under Electric Clouds
- 4 Intermedial Densities in the Work of Jan Švankmajer: A Media-Anthropological Case Study
- Part 2 Immersions into Memory , Culture and Intermediality
- 5 Trickster Narratives and Carnivalesque Intermediality in Contemporary Romanian Cinema
- 6 Photographic Passages to th e Past in Eastern European Non-Fiction Films
- 7 Trauma, Memorialisation and Intermediality in Jasmila Žbanić’s For Th ose Who Can Tell No Tales
- 8 An Immersive Theatrical Journey through Media and Time in Alexander Sokurov’s Russian Ark
- Part 3 Refl ections upon Reality, Representation and Power
- 9 The Real and the Intermedial in Alexander Sokurov’s Family Trilogy
- 10 Th is is Not Magritte: Corneliu Porumboiu’s Theory of Representation
- 11 Intermedial Détrompe l’Oeil and Contemporary Polish Narrative Cinema
- 12 Superhero Genre and Graphic Storytelling in Contemporary Hungarian and Russian Cinema
- Index
Frontmatter
Published online by Cambridge University Press: 03 October 2020
Edited by
Book contents
- Frontmatter
- Contents
- List of Figures
- The Contributors
- Introduction: The Art of In-Betweenness in Contemporary Eastern European Cinema
- Part 1 Entangled Sens ations, Cinema in-between the Arts
- 1 Intermedially Emotional: Musical Mood Cues, Disembodied Feelings in Contemporary Hungarian Melodramas
- 2 Black-and-White Sensations of History and Female Identity in Contemporary Polish and Czech Cinema
- 3 Sculpture and Affect in Cinema’s Expanded Field. From Aleksey Gherman’s Hard to Be a God to Aleksey Gherman Jr’s Under Electric Clouds
- 4 Intermedial Densities in the Work of Jan Švankmajer: A Media-Anthropological Case Study
- Part 2 Immersions into Memory , Culture and Intermediality
- 5 Trickster Narratives and Carnivalesque Intermediality in Contemporary Romanian Cinema
- 6 Photographic Passages to th e Past in Eastern European Non-Fiction Films
- 7 Trauma, Memorialisation and Intermediality in Jasmila Žbanić’s For Th ose Who Can Tell No Tales
- 8 An Immersive Theatrical Journey through Media and Time in Alexander Sokurov’s Russian Ark
- Part 3 Refl ections upon Reality, Representation and Power
- 9 The Real and the Intermedial in Alexander Sokurov’s Family Trilogy
- 10 Th is is Not Magritte: Corneliu Porumboiu’s Theory of Representation
- 11 Intermedial Détrompe l’Oeil and Contemporary Polish Narrative Cinema
- 12 Superhero Genre and Graphic Storytelling in Contemporary Hungarian and Russian Cinema
- Index
- Type
- Chapter
- Information
- Caught In-BetweenIntermediality in Contemporary Eastern European and Russian Cinema, pp. i - ivPublisher: Edinburgh University PressPrint publication year: 2020