Caught In-Between: Intermediality in Contemporary Eastern European and Russian Cinema

Caught In-Between

Intermediality in Contemporary Eastern European and Russian Cinema

- Get access
  
  Check if you have access via personal or institutional login
  
  Log in Register

Edited by Ágnes Pethő, Sapientia Hungarian University of Transylvania

Publisher:: Edinburgh University Press
Online publication date:: October 2020
Print publication year:: 2020
Online ISBN:: 9781474435505

Subjects:: Film, Film, Media, Mass Communication

Export citation

Information

Contents

Metrics

This collection of essays explores intermediality as a new perspective in the interpretation of the cinemas that have emerged after the collapse of the former Eastern bloc.

- Aa Reduce text
- Aa Enlarge text

View selected items
Save to my bookmarks
Export citations
Download PDF (zip)
Save to Kindle
Save to Dropbox
Save to Google Drive
Save content to
To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to .

To save content items to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Please be advised that item(s) you selected are not available.
You are about to save
Your Kindle email address

Please provide your Kindle email.

@free.kindle.com @kindle.com (service fees apply)

By using this service, you agree that you will only keep content for personal use, and will not openly distribute them via Dropbox, Google Drive or other file sharing services

Metrics

Total number of HTML views: 0

Total number of PDF views: 0 *

Loading metrics...

Total views: 0 *

Loading metrics...

* Views captured on Cambridge Core between #date#. This data will be updated every 24 hours.

Usage data cannot currently be displayed.

Caught In-Between

Intermediality in Contemporary Eastern European and Russian Cinema

Book description

Refine List

Actions for selected content:

Contents

Frontmatter
pp i-iv

Contents
pp v-vi

List of Figures
pp vii-ix

The Contributors
pp x-xii

Introduction: The Art of In-Betweenness in Contemporary Eastern European Cinema
pp 1-24

Part 1 - Entangled Sens ations, Cinema in-between the Arts
pp 25-26

1 - Intermedially Emotional: Musical Mood Cues, Disembodied Feelings in Contemporary Hungarian Melodramas
pp 27-44

2 - Black-and-White Sensations of History and Female Identity in Contemporary Polish and Czech Cinema
pp 45-64

3 - Sculpture and Affect in Cinema’s Expanded Field. From Aleksey Gherman’s Hard to Be a God to Aleksey Gherman Jr’s Under Electric Clouds
pp 65-90

4 - Intermedial Densities in the Work of Jan Švankmajer: A Media-Anthropological Case Study
pp 91-106

Part 2 - Immersions into Memory , Culture and Intermediality
pp 107-108

5 - Trickster Narratives and Carnivalesque Intermediality in Contemporary Romanian Cinema
pp 109-126

6 - Photographic Passages to th e Past in Eastern European Non-Fiction Films
pp 127-146

7 - Trauma, Memorialisation and Intermediality in Jasmila Žbanić’s For Th ose Who Can Tell No Tales
pp 147-162

8 - An Immersive Theatrical Journey through Media and Time in Alexander Sokurov’s Russian Ark
pp 163-182

Part 3 - Refl ections upon Reality, Representation and Power
pp 183-184

9 - The Real and the Intermedial in Alexander Sokurov’s Family Trilogy
pp 185-202

10 - Th is is Not Magritte: Corneliu Porumboiu’s Theory of Representation
pp 203-218

11 - Intermedial Détrompe l’Oeil and Contemporary Polish Narrative Cinema
pp 219-236

12 - Superhero Genre and Graphic Storytelling in Contemporary Hungarian and Russian Cinema
pp 237-253

Index
pp 254-260

Metrics

Full text views

Book summary page views

Caught In-Between

Intermediality in Contemporary Eastern European and Russian Cinema

Book description

Refine List

Actions for selected content:

Save Search

Contents

Metrics

Full text views

Book summary page views