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Horst Bredekamp, Galileo’s Thinking Hand: Mannerism, Anti-Mannerism, and the Virtue of Drawing in the Foundation of Ealy Modern Science, trad. par M. Cohen, Berlin, De Gruyter, 2019, ix + 366 p.

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Horst Bredekamp, Galileo’s Thinking Hand: Mannerism, Anti-Mannerism, and the Virtue of Drawing in the Foundation of Ealy Modern Science, trad. par M. Cohen, Berlin, De Gruyter, 2019, ix + 366 p.

Published online by Cambridge University Press:  12 January 2023

Isabelle Pantin
Isabelle Pantin*
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Type
Livres et circulation des savoirs (comptes rendus)
Information
Annales. Histoire, Sciences Sociales , Volume 77 , Issue 3 , September 2022 , pp. 574 - 576
Copyright
© Éditions de l’EHESS

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References

1 Horst Bredekamp, Bilder bewegen. Von der Kunstkammer zum Endspiel, Berlin, Verlag Klaus Wagenbach, 2007 ; id., Theorie Des Bildakts, Berlin, Suhrkamp, 2010 ; id., Das Technische Bild. Kompendium zu einer Stilgeschichte wissenschaftlicher Bilder, Berlin, Akademie Verlag, 2008

2 Mario Biagioli, Galileo, Courtier: The Practice of Science in the Culture of Absolutism, Chicago, The University of Chicago Press, 1993 ; Matteo Valleriani, Galileo Engineer, Dordrecht, Springer, 2010.

3 Erwin Panofsky, Galileo as a Critic of the Arts, Den Haag, Martinus Nijhoff, 1954 ; Albert van Helden, « Galileo and Scheiner on Sunspots: A Case Study in the Visual Language of Astronomy », Proceedings of the American Philosophical Society, 140-3, 1996, p. 358-396.

4 Omar W. Nasim, Observing by Hand: Sketching the Nebulae in the Nineteenth Century, Chicago, The University of Chicago Press, 2013.