Forster’s Wagnerism is the focus of the fourth chapter. Instead of following previous critical examples to map out the narrative parallel between Wagner's music drama and Forster's fiction, the chapter turns to the way in which Forster negotiates Wagner's cultural and political status through tackling and questioning the heroism of Siegfried. Examining a variety of texts, ranging from his 1907 novel, The Longest Journey, to his political essays in the 1930s and wartime pamphlet Nordic Twilight (1940), and to a postwar radio broadcast for the BBC, ‘Revolution at Bayreuth’ (1954), the chapter considers how Forster was attentive to a complex web of discourses on Wagner’s anti-Semitism, posthumous reception in Britain, and links to the Nazis in the first half of the twentieth century. Forster’s consistent critique of Wagnerian heroism for its apocalyptical vision suggests his opposition to the political extremism and masculine exceptionalism celebrated and advocated by many contemporaries. Analysing Forster’s criticism of the Wagnerian hero, the chapter discusses his contribution to topical debates about fascism, Jewishness, war, violence, and hero-worship.