Skip to main content Accessibility help

We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.

Close cookie message
×
  1. Home
  2. Search

Refine search

Refine search

Access:
Content type:
Publication date:
Apply   From and To filters
Subject: Show more
Journals Show more
Publishers: Show more
Societies Show more
Series: Show more
Collections: Show more

Actions for selected content:

Select all | Deselect all
  • View selected items
  • Export citations
  • Download PDF (zip)
  • Save to Kindle
  • Save to Dropbox
  • Save to Google Drive

Save Search

You can save your searches here and later view and run them again in "My saved searches".

Please provide a title, maximum of 40 characters.
Cancel
×

1 results

  • Chapter 7 - Vowel Harmony

  • from Part II - Phonetics and Phonology
  • Edited by Sungdai Cho, Binghamton University, State University of New York, John Whitman, Cornell University, New York
  • Book:
    The Cambridge Handbook of Korean Linguistics
    Published online:
    30 September 2022
    Print publication:
    25 August 2022, pp 177-214

  • Summary

    Chapter 7 deals with a longstanding controversy from both historical and theoretical linguistic perspectives. The chapter provides a description of Korean vowel harmony beginning with an overview of its historical and theoretical linguistic background. Middle Korean displays relatively rigorous patterns of vowel harmony; contemporary varieties show reduced but still complicated patterns that are confined to certain morphological contexts, as a result of historical changes. The description of Korean vowel harmony in this chapter is divided mainly into two parts: the relatively complete vowel harmony system in Middle Korean, and vowel harmony in contemporary (chiefly Seoul) Korean. The former provides an historical and typological overview of the productive MK patterns, while the latter focuses on the exceptions and variations of the remnant harmony patterns in ideophones and verbal inflections. The remainder of the chapter introduces a number of theoretical approaches, from early generative treatments to more recent Optimality Theoretic analyses.