There are clear links between tourism and the international wildlife trade, especially in countries with high levels of biodiversity and high numbers of international tourists. In the absence of clear regulations and implementation of existing policies, tourists can inadvertently have a negative impact on the environment, including through items bought as souvenirs. Bali is one of the world’s premier tourist destinations. We investigated legally protected species that are offered for sale specifically targeting tourists in Bali. During December 2022–June 2023, we surveyed 66 shops offering curios (skulls, bones, carvings) of animals for which the international trade is regulated by the Convention on International Trade in Endangered Species of Wild Flora and Fauna (CITES). We found items from >500 individuals of 20 CITES-listed species, including primate skulls, ivory carvings and decorated shells. According to vendors, there would be no problem exporting these items despite the absence of CITES permits. Export records over the last two decades provided by the Indonesian authorities, mostly indicating no exports, contrast sharply with our observations in Bali. A short but effective campaign as a collaborative effort between industry, tourism operators, local and expatriate communities and government agencies could result in a drastic reduction of protected and/or CITES-listed species ending up in trade.

Mitsukoshi, a famed Japanese department store, opened a Korean Product Showroom in its Keijō (Seoul) branch in 1930. The Korean Product Showroom was the only space decorated in ‘Korean style’ within the Keijō Mitsukoshi building, which was designed in Neo-Renaissance style, much like its flagship store in Tokyo. This showroom offered Korean artefacts as luxury souvenirs aimed at Japanese tourists. The most popular items sold in the showroom were Koryŏ-style celadon ware and lacquerware inlaid with mother-of-pearl, which Mitsukoshi ordered from local workshops in Korea. Interestingly, the workshops were run by Japanese entrepreneurs and sometimes even employed Japanese artisans. This article examines the inauthentic authenticity of ‘Korean style’ and ‘Korean products’ that the Japanese produced and consumed in colonial Korea. It does not imply that only Koreans are entitled to represent Korean culture. There have been many studies asserting that Korean culture was destroyed and distorted from its ‘original’ forms by Japan’s cultural genocide during the colonial period. This article neither is interested in repeating such criticism nor focuses on recuperating genuine Koreanness. Rather, it explores why the Japanese desired ‘pure Korea’ and how that desire shaped ‘Korean style’ and ‘Korean products’ through Keijō Mitsukoshi’s Korean Product Showroom and its products.