The discoloration illusion, a new visual phenomenon, is described. This phenomenon originates from the juxtaposition of eight chromatic parallel contours on a white background, creating a luminance gradient and enclosing a light red region. Under these conditions, the inner region appears white: the light red discolors and appears white with both surface color and luminous qualities. In two experiments, the discoloration illusion was (i) compared with the coloration effect of the watercolor illusion, obtained when the number of adjacent contours was reduced to at least two, and (ii) tested under several conditions useful for understanding the roles of the luminance gradient profile. The results suggest that discoloration is not a lightness illusion and does not depend on simultaneous contrast or on achromatic mechanisms, but more likely on chromatic mechanisms that, through the luminance chromatic gradient, provide cues about the interactions of light and surface and model the volume by depicting lights and shades. The discoloration illusion suggests a possible neural scenario where multiple juxtaposed contours may stimulate neurons, selective for different asymmetric luminance profiles and signaling not only the unilateral belongingness of the boundaries and the coloration effect but also the volumetric and the illumination effects.

Shapiro et al. (2004) introduced a new visual effect (the induced contrast asynchrony) that demonstrates a perceptual separation between the response to a modulated light and the response to contrast of the light relative to background. The effect is composed of two physically identical disks, one surrounded by a dark annulus and the other by a light annulus. The luminance levels of both central disks were modulated in time, producing a stimulus with in-phase luminance modulation and antiphase contrast modulation. Observers primarily perceived the disks to be modulating asynchronously (i.e. they perceived the contrast), but at low temporal frequencies could also track the luminance level. Here we document that the induced contrast asynchrony disappears when the surrounds are achromatic and the center lights are modulated near the equiluminant axis. Observers viewed 1-deg-diameter disks embedded 2-deg-diameter achromatic surrounds. The chromaticity of the disks was modulated in time (1 Hz) along lines in an S versus Luminance cardinal color plane and an L-M versus Luminance cardinal color plane; observers responded as to whether the modulation appeared in phase. For all observers and both color planes, the lights appeared in phase most frequently at angles near the standard observer's equiluminant line and out of phase at angles further away from that line. Observers differed in the range of angles that produce the appearance of in-phase modulation. The results suggest that induced contrast asynchronies may be useful as a technique for equating luminance of disparate lights.