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2 results

  • 4 - The Making of a Model: Antigonemodell 1948

  • from Part I - Point of Contact 1948
  • Martin Revermann, University of Toronto
  • Book:
    Brecht and Tragedy
    Published online:
    16 December 2021
    Print publication:
    16 December 2021, pp 185-214

  • Summary

    The significance of the model book, which developed out of the 1948 production of the antigone, far exceeds its immediate context. Like the production which it is based on, it is an exemplary case study for brecht's novel kind of theatre in its dramaturgical, actorial and directorial dimensons. The diverging format of the two editions of the model book and their significance are discussed. The chapter concludes with a plea for re-inventing the model book format.

  • Chapter 8 - “[She] made suggestions. We took them”: Bertolt Brecht’s Women Collaborators

  • from Part I - Brecht’s World
  • Edited by Stephen Brockmann, Carnegie Mellon University, Pennsylvania
  • Book:
    Bertolt Brecht in Context
    Published online:
    28 May 2021
    Print publication:
    10 June 2021, pp 73-80

  • Summary

    From the later 1920s, Brecht developed a Marxist critique of the theater apparatus and began to experiment on the margins of, and outside, commercial theater. It was not until after World War II, when he founded the Berliner Ensemble, that he finally had the opportunity to control the means of theatrical production. The Berliner Ensemble’s entire approach was underpinned by a holistic understanding of political theater. This extended from actor training to outreach activities with audiences, going far beyond the argument or subject matter of any individual play.