The chapter traces the rich legacy of the romantic literature in Ireland, through consideration of the varied influences of key Irish and English writings of the later eighteenth and early nineteenth century on Irish writers of recent decades. It suggests that the reappraisal of romanticism in the 1980s and 1990s has important implications for Irish literary history, in that the plurality and inclusiveness of the ‘romantic period’ and increasing emphasis on historical contexts, locations, colonialism, and gender are especially helpful for approaching leading Irish writers of the time, such as Maria Edgeworth, Edmund Burke, Thomas Moore, Richard Brinsley Sheridan, and emerging genres such as national tales, gothic fiction, political prose, and periodical literature. Recognition of the variousness of romantic-period literature also complicates the later twentieth-century legacies, opening lines of inheritance from John Clare to Michael Longley, Maria Edgeworth to William Trevor, Raftery to Derek Mahon. The perhaps better-known engagements of Seamus Heaney with Wordsworth, Paul Muldoon with Samuel Taylor Coleridge and Robert Southey, or Ciaran Carson with John Keats are thus considered as part of the larger picture of continuing connections between the romantic period and modern Irish literature.