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In accounts of Chinese history, the Western Zhou period has been lionized as a golden age of ritual, when kings created the ceremonies that underlay the traditions of imperial governance. In this book, Paul Nicholas Vogt rediscovers their roots in the vagaries of Western Zhou royal geopolitics through an investigation of inscriptions on bronze vessels, the best contemporary source for this period. He shows how the kings of the Western Zhou adapted ritual to create and retain power, while introducing changes that affected later remembrances of Zhou royal ritual and that shaped the tradition of statecraft throughout Chinese history. Using ritual and social theory to explain Western Zhou history, Vogt traces how the traditions of pre-modern China were born, how a ruling dynasty establishes and holds on to power, how religion and politics can support and restrain each other, and how ancient peoples made, used, and assigned meaning to art and artifacts.
The Introduction to the work outlines the history of the study of Western Zhou royal ritual, describing its role in early Chinese and early imperial governance and noting how it came to dominate the historical memory of the Western Zhou period. It then explains the book’s commitment to describe Western Zhou royal ritual from a historically embedded perspective, relying on sources contemporary to the rituals themselves.It explains the advantages and pitfalls of working with bronze inscriptions – the bulk of these sources – and presents a methodological framework for understanding inscriptions through the modern frames of actor-network theory and ritual studies.
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