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This chapter presents a new, annotated translation of the three fragments of a satirical sketch of southern Greek communities, now attributed to one Herakleides Kritikos and probably written between 279 and 239 BC, together with an additional testimonium. An appendix presents a fragmentary papyrus (P. Hawara 80–1) containing a contemporary description of the Piraeus. The chapter introduction recognizes the literary and performative character of the text, its selective use of geographical information (as far as we can judge from the surviving passages, extending from Attica to Thessaly where we have the original ending of the work), its use of irony, and its geopolitical claims about the extent of ‘Hellas’. A new map clarifies the route followed by the first part of the text.
For sparkle and malicious with few works of Latin literature can match the only complete Menippean satire which has survived, a skit upon the life and death of Claudius Caesar ascribed in manuscripts which transmit it to Seneca. Transition from prose to verse, a distinctive feature of the Menippean genre, is aptly and amusingly contrived. In general frivolity prevails, but the praise of Nero can be taken seriously and, of course, many of the charges against Claudius, made by Augustus and elsewhere, are in themselves grave enough. Petronius' Satyrica, commonly known as Satyricon, raise abundant problems for literary historians and critics alike. Petronius presents the adventures of a hero, or anti-hero, Encolpius, a conventionally educated young man, without money or morals, and his catamite, Giton, handsome and unscrupulous. Both in incident and character Petronius' novel is highly realistic, indeed startlingly so, if compared with sentimental romances.
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