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This book revives a contested moment in the history of aesthetic theory when Romantic-period writers exploit the growing awareness of irresolutions in Kant’s third Kritik, especially in his critique of judgements of the sublime. Read with hindsight, these openings can be seen to have generated literary opportunities for writings that explicitly embraced the philosophical significance delegated to the aesthetic by Kant, but then took advantage of the licence he had conceded. Romantic writing claimed a wider significance of its own that philosophy now had to learn to rationalise. Consequent aesthetic reorientations, in which splendours and miseries become interchangeable, reflect political instabilities already exploited by feminist and nationalist writing. Falling becomes a kind of rising, and literature’s unregulated power of metamorphosis persuasively challenges hierarchies of all kinds, including its own.
Scholarship on Kant's practical philosophy has often overlooked its reception in the early days of post-Kantian philosophy and German Idealism. This volume of new essays illuminates that reception and how it informed the development of practical philosophy between Kant and Hegel. The essays discuss, in addition to Kant, Hegel and Fichte, relatively little-known thinkers such as Pistorius, Ulrich, Maimon, Erhard, E. Reimarus, Reinhold, Jacobi, F. Schlegel, Humboldt, Dalberg, Gentz, Rehberg, and Möser. Issues discussed include the empty formalism objection, the separation between right and morality, freedom and determinism, nihilism, the right to revolution, ideology, and the limits of the liberal state. Taken together, the essays provide an historically informed and philosophically nuanced picture of the development of post-Kantian practical philosophy.
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