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The artistic and devotional effects of interrelated emphases are still visible throughout Europe, in the pilgrimage churches built to house the many miracle-working statues of the Virgin as the Throne of Wisdom, as well as in the many paintings and sculptures of Mary suffering under the Cross or being crowned heavenly Queen. At stake in exchange was far more than simply Mary's obedient willingness to become the mother of God. The antiphons and psalms sung for the Marian office reinforced this emphasis on Mary's literally all-encompassing role with respect to creation. God knew from the first day of creation that it was through this woman's body that he would effect his entry into the world. It was right to praise the Virgin Mary, or so medieval European Christians insisted in their devotions and prayers, because it was Mary who, by giving birth to him in the flesh, made the God-man visible in his human form.
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