This article argues that the 1980s and nineties popular literary magazine Joy-Ride attracted an exceptionally wide and regular readership by transposing the sensational aesthetics of Ghanaian oral narrative performance into the printed text. Joy-Ride retained its circulation in a period of devastating economic and sociopolitical tumult that resulted from an accumulation of natural disasters combined with the forced austerity measures of J. J. Rawling’s military government. Offering a collage of modern media such as serialized comics and photonovels, the magazine created intertextual associations with popular cultural experiences like Concert Party theatre and Ananse storytelling. Comics scholarship and affect and embodiment studies come together to support my position that the rich integration of text and image in Joy-Ride worked mnemonically to produce a sense of cultural vibrancy in the magazine narratives. This vitalism functioned, I argue, to sustain a feeling of cultural continuity for the magazine’s readership.
