Chapter 1 of Earthopolis: A Biography of Our Urban Planet elaborates on both the myth of Inanna’s chaotic riverboat journey to Uruk and the vision of the goddess’s ordered urban state depicted on the Warka Vase to meditate on the many birthplaces and birthdates of cities and their surrounding “urban worlds.” It identifies river valleys (and other Sun and Earth-delivered sources of fresh water) as crucial to our ability to harvest enough energy from the Sun and Earth to build cities and it discusses the importance of “energized crowds” that arise in large, proximate, specialized, diverse, and anonymous settlements. Ultimately, though, the chapter argues that urban political communities and the especially powerful institutions of state required to govern them best account for cities' ultimate indefinability: their sheer variability and the sheer unpredictability of their human uses, ranging from immense acts of creation to immense acts of destruction. Cities, it concludes, are places where we harvest enough energy from the Sun and Earth, through water, to engage in the ambitious and dangerous human-directed practice of city-enabled politics – the polis of Earthopolis, the only Urban Planet we know of.

The front matter to “Cities of the Rivers,” the first of three parts of Earthopolis: A Biography of Our Urban Planet, retells the myth of the founding of the city of Uruk by the goddess Inanna (Ishtar), after she stole the many characteristics of city life from her father Enki and delivered them up the river by boat to the settlement of Uruk. This story, which emphasizes cities as tools of both creation and destruction, serves as a pivot point in discussions of urban theory and the life of the Urban Planet throughout the rest of the book.