The Decalogue, commonly known as the Ten Commandments, is usually analysed as a text. Within the Hebrew Bible, however, it is depicted as a monument– an artifact embedded in rituals that a community uses to define itself. Indeed, the phraseology, visual representations, and ritual practices of contemporary monuments used to describe the Ten Commandments imbue them with authority. In this volume, Timothy Hogue, presents a new translation, commentary, and literary analysis of the Decalogue through a comparative study of the commandments with inscribed monuments in the ancient Levant. Drawing on archaeological and art historical studies of monumentality, he grounds the Decalogue's composition and redaction in the material culture and political history of ancient Israel and ancient West Asia. Presenting a new inner-biblical reception history of the text, Hogue's book also provides a new model for dating biblical texts that is based on archaeological and historical evidence, rather than purely literary critical methods.

This Element surveys the place of the bookstore in the creative imagination (the fantasies of the bookstore) through a study of novels in which bookstores play a prominent role in the setting or plot. Nearly 500 'bookstore novels' published since the first in 1917 have been identified. The study borrows the concept of 'meaningful locations' from the field of human geography to assess fictional bookstores as narrative events rather than static backgrounds. As a meaningful location, the bookstore creates the potential for events that can occur both within the place of the store and in the wider space within which it functions. Elements of the narrative space include its spatio-temporal location, its locale or composition, and the events which these elements generate to define the bookstore's sense of place.