This chapter turns to the Indian context to demonstrate how insurgent activity is shaped, if not enacted, by forms of solidarity extended to the victims of violence. The first part focuses on three novels, Diti Sen’s Red Skies & Falling Stars, Jhumpa Lahiri’s The Lowland, and Diptendra Raychaudhuri’s Seeing through the Stones, which demonstrate the pitfalls of cultivating bonds of violence across caste, class, and gender divisions. Whereas Diti Sen’s and Jhumpa Lahiri’s novels build on an enchanted solidarity which fails to foresee the ideological pitfalls of the Maoist movement, Diptendra Raychaudhury’s novel extends a disenchanted solidarity for the militants, one that is geared toward exposing the fractures, fault lines, and inherent disunity of the insurgency. In the second section, two works of literary journalism, namely, Arundhati Roy’s Walking with the Comrades and Sudeep Chakravarti’s Red Sun, steer the discussion on “deep” and “liberal” solidarities that fortify such fractured cultures of insurgency. While Roy’s narrative, given its penchant for fictional devices, is orientated toward a deep, affective solidarity, Chakravarti’s work, which is more attuned to factualization of narrative, is a champion of liberal solidarity.