Skip to main content Accessibility help

We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.

Close cookie message
×
  1. Home
  2. Search

Refine search

Refine search

Access:
Content type:
Publication date:
Apply   From and To filters
Subject: Show more
Journals Show more
Publishers: Show more
Societies Show more
Series: Show more
Collections: Show more

Actions for selected content:

Select all | Deselect all
  • View selected items
  • Export citations
  • Download PDF (zip)
  • Save to Kindle
  • Save to Dropbox
  • Save to Google Drive

Save Search

You can save your searches here and later view and run them again in "My saved searches".

Please provide a title, maximum of 40 characters.
Cancel
×

1 results

  • Chapter 20 - The Human and the Animal

  • from Part IV - Theories
  • Edited by Michael J. Collins, King's College London, Gavin Jones, Stanford University
  • Book:
    The Cambridge Companion to the American Short Story
    Published online:
    11 May 2023
    Print publication:
    25 May 2023, pp 313-326

  • Summary

    This chapter tracks the figure of the rat across American short fiction, focusing in particular on H. P. Lovecraft’s “The Rats in the Walls” (1924), Ursula K. Le Guin’s “Mazes” (1975), and Karen Joy Fowler’s “Us” (2013). These stories illustrate powerful narrative effects that can be produced by constructing particular forms of animality, while also blurring, at times, the boundaries between what it means to be a human and what it means to be an animal. The chapter engages with the academic fields of human–animal studies, multispecies studies, and animality studies, exploring the short stories not only in relation to animal advocacy, but also problematic histories of animalizing certain human groups. Posthumanism cuts across these various fields, questioning constructions of the human as fundamentally different and superior to all other species on the planet. The chapter ultimately argues that some narrative techniques have more posthumanist potential than others.