This chapter examines the remarkable growth in the popularity of mountain climbing in Britain during the Romantic period, as adventurous fell-walkers went in search of the sublime. Mountain summits were increasingly seen as the ultimate sublime location and ascent as a near-guaranteed way to experience psychological as well as physical elevation. The chapter explores the links between mountains and the sublime in the period’s aesthetic theories before examining how the literature of British domestic tourism described the sublime pleasures of ascents to British summits. It investigates the relationship between the presentation of sublime experiences on British mountains and those on the higher peaks of the Alps and traces the emergence of Snowdon in Wales, Skiddaw in the Lake District, and Ben Lomond in Scotland as pre-eminent British sublime locations. It shows how, as summits became more crowded, thrill-seeking climbers increasingly ventured to more remote and dangerous locations to experience the sublime.

In the years 1900–20, polar exploration and high-altitude mountaineering became entrenched as features of British newspapers and the pictorial press. Meeting and propagating the appetites of an emerging audience of ‘armchair’ explorers, such publications exploited the opportunities afforded by new printing technologies to offer eye-catching typography and photographic images that conveyed the scale of Alpine adventure, and put the wastes of polar snows into the hands of the reader. Meanwhile, reporting on labour disputes connected to the British mining industry offered the yin to exploration’s icy yang: the chance to convey the greys and blacks of mines and miners through the liberal application of ink. This relationship between the black/white of the mines/snows and the black/white of the page can be seen triangulated by a further force: literary modernism’s development of a kind of spatialised moral economy. This chapter considers the tensions between a press in transition, an armchair audience in the waning days of exploration, and a body of literary work that made the most of the greyscale and the vertical axis in offering to the reader a moral and emotional landscape.