Cunobelinus was the most significant figure in Britain during the decades leading up to the Roman invasion, though his reign has received relatively little attention. Cunobelinus' coinage is of great importance to understanding the socio-political structure of South-East Britain prior to the Roman invasion and whilst studies of his gold and silver have been published in previous editions of Britannia (Allen 1975; de Jersey 2001), his bronzes have been subject to surprisingly little work, particularly considering that they are by far the most common struck bronze issues known from Iron Age Britain, with a total of 2,608 examples currently recorded in the Celtic Coin Index and on the PAS database combined. This study proposes a broad typological scheme with which Cunobelinus' bronzes can be ordered and demonstrates that, like Cunobelinus' silver, but unlike his gold, they can be divided into three regional groupings, which it can be argued correspond to three different political sub-groupings under Cunobelinus' control. In addition, the bronze's metallurgy and metrology and the mints at which they were struck are investigated. This article examines the contribution of coinage to understanding Cunobelinus' political history, and how he used imagery to reinforce and legitimate his power in the different regions under his control at different times during his reign. The types of sites at which Cunobelinus' bronzes have been found are also outlined and the likely function of the coins discussed.

This article concerns the study of power and space within the Archbishop's Palace in Trondheim and, in particular, how the structure and organization of the precinct in the late medieval period formed a medium through which the archbishop's powers were exercised. Its aim is to explore the ways in which the spatial patterning of occupation, as revealed by the recent excavations in the palace, can cast light on the articulation of the archbishop's wealth, status and authority during the turbulent period prior to the Reformation.

The theoretical starting point is a reformulation of Michael Mann's theory of social power and Anthony Giddens's concept of ‘locale’ within a Marxist framework. It is suggested that, in the historical context of the crisis of Scandinavian feudalism, the palace at Trondheim became the focus for overlapping networks of ideological, economic, military and political power. These developments were expressed through the reorganization of the architectural space and the construction of a series of workshop complexes within the walled precinct between c. AD 1500 and 1537. By analysing the archaeological evidence for craft production, in particular minting, this paper considers how the palace formed a locale for the interaction of a specific set of social relations. It consequently examines some of the processes underpinning the expansion of the archbishop's power during the late medieval period, and discusses the social dynamics behind the conflict between the Church and the centralizing, Protestant-leaning forces of the Danish-Norwegian state.