In this article I explore different ways archaeologists can contribute to and learn from theorizing the digital world beyond the traditional functionalistic means of applying computational methods. I argue that current digital technologies can be a very constructive tool to create non-human experience and awareness. I pursue this argument by presenting ideas from a work-in-progress project experimenting with the post-human and the virtual, and by exploring significant otherness in Roman religion and the dark spots in human perception, through the analysis of an absent temple in Rome. Applying post-human philosophies and an expanded concept of virtuality beyond the digital makes it possible to change our approach to object/human/divine relations in Roman cults and how we present Roman heritage towards a post-humanist framework. Through this, digital archaeology can become one of the ways of re-examining and reinventing our ideas of the human, the past and the digital.

The Athens 2004 Olympic Games presented an opportunity for Greece to celebrate its ancient traditions and modern organizational skills. The organizers used archaeology as theory, iconography, idealism and so on. They particularly focused on Classical antiquity, when the Games were at their height before their modern revival. This article, however, will examine the use of Minoan archaeology. I argue that, although there is no archaeological evidence to connect Minoan archaeology to the original Olympic Games, the modern Greek national narrative adapted it to the current national image of the Olympic Games. I analyse this phenomenon by deconstructing some of its processes, taking Crete as a case study. I also highlight broader issues, concerning the instrumentality of the public domain in the shaping of cultural heritage.