Towards the end of the nineteenth century, the process of community-centric awakening was producing the politics of religious identity, mobilisations, and mutual cultural contests between different communities. Punjab being a province that was inhabited mostly by Muslims, Hindus, and Sikhs witnessed an identity based triangular contest between these religious communities where the political leadership of each community picked up cultural symbols to mobilise, organise, and consolidate their respective constituencies. While presenting an account of the symbolic manoeuvrings around jhatka and tobacco in the politics of Sikh identity during the colonial and post-colonial contexts respectively, this article examines the role of symbols in community-centric discourses wherein cultural differences are transformed into cultural discord or antagonism. Here, it is argued that the meanings communicated and deciphered through such symbols need to be comprehended by locating their articulations in the field of inter-community power relations.
