This book has tried to bring out the richness and complexity of the ethical fabric of Sophocles’ plays. Moral issues are not merely motifs, but inform the dramatic structure, and are developed with care and subtlety on the linguistic level. A multiplicity of ethical standpoints is presented in such a way that their implications and practical results are dramatised through choice and argument. While it may be true that an obviously unpleasant character tends to express sentiments contrary to conventional Athenian values, these plays are not melodramas in which only the virtuous command our sympathy and the villains our distaste.

While Statius’ interventions in the poem seem to encourage a comparison between the poem’s characters and Virgil’s heroes, Chapter 2 shows that the Thebaid actually patterns its heroic narratives after some of the most politically charged myths of Ovid’s Metamorphoses, such as the stories of Cadmus, Perseus, Hercules, and Theseus. Statius’ descriptions of dysfunctional heroes, who re-tread the failure of their Ovidian ancestors to carry on the foundational mission of Virgil’s Hercules and Aeneas, seem to rework the anti-heroic paradigm set by Ovid’s Cadmus (Met. 3–4). By exploring the darker sides of the Aeneid’s gigantomachic discourse, these narratives open the Thebaid to a redefinition of traditional heroic paradigms that potentially questions the political significance of the heroes appropriated by the Flavian emperors in their refashioning of Augustan ideology. While offering new insights into Statius’ renegotiation of poetic independence from his predecessors, this exploration also illuminates the Thebaid’s sophisticated engagement with the material and ideological environments of Flavian Rome.

When Ilf and Petrov visited the recently completed Boulder Dam, they took surprisingly little notice of the workers or their working conditions. What troubled them was the fact that no one in America knew the names of those who constructed the “biggest dam in the world.” Chapter 21 argues that this failure to accord the builders their due provided Ilf and Petrov with a means of at once praising American technology and criticizing American capitalism. They contrasted Boulder Dam with an imagined Soviet Boulder Dam that would generate both electricity and heroes of socialist labor. Their tour guide at the dam, GE engineer Charles John Thomson, was well positioned to help them draw such comparisons. In charge of installing the generating turbines at Boulder Dam, he had received the Order of the Red Banner of Labor for doing the same job at Dneprostroi.

This chapter explores the modes of fictionality in Philostratus’ Heroicus and In honour of Apollonius.

This chapter provides a broad overview of existing anthropological work on exemplars and proposes a new relational way of understanding exemplarity. Most existing philosophical and anthropological work on exemplarity has taken an explicitly functionalist approach. Academics have often valued exemplars because of their ‘articulatory power’ to connect the world of things with the world of ideas. This chapter advances this conversation by examining exemplarity as a relationship between persons and things rather than an attribute of either. In doing so, the chapter explores the social effort that is required to stabilize exemplars in the world, and it shows how the creation of exemplars always goes hand in hand with scepticism and critique. Finally, the chapter investigates whether the modern world has been overcome by scepticism towards exemplars such that we now face a ‘crisis of exemplarity’ in which only ‘everyday exemplars’ can be recognized.

Chapter 4 examines in detail the early medieval evidence for godlings in Britain, from both Brittonic and Old English sources, dealing in turn with the main categories of folkloric beings such as fauns, elves, the various categories of supernatural women, pygmies and giants. The chapter stresses the interaction between folk belief and learned commentary, identifying biblical commentary and the work of Church Fathers such as Isidore of Seville as the main source of discussions about godlings and, perhaps, as the source of much of the folklore itself. It is the argument of the chapter that by the time of the Norman Conquest, the various elements of fairy lore were present in British popular belief but had yet to be brought together into a single synthesis. These elements included a belief in wild ‘men of the woods’ gifted with prophetic powers; belief in elves; belief in supernatural women, often in a triad, governing the fates of human beings; belief in diminutive otherworlders, sometimes living beneath the earth and belief in heroes who have somehow become supernatural beings.

The introduction provides necessary background on Ancient Greek religious and literary ideas about the afterlife, methods for analyzing ethics in literature that several of the chapters will challenge, a working definition of tragic poetics, and historical context and preliminary definitions relevant for political structures and themes in the Oresteia.

Addressing the barriers we put in the way of our writing. The need to be prepared to experiment: all landmark fiction has tried something that hasn’t been tried before. Understanding that ‘failure’ is part of the learning process. Don’t listen to inhibiting inner voices: there is nothing you’re not allowed to write and you can always edit later. Allow yourself substandard drafts – then you have something to build on.

‘Accept the difficulties, expect things to be initially unsatisfactory, and start writing.’

This chapter reverses the usual direction of travel in this question, and examines Genesis 6:1–4, a difficult passage in which divine beings are said to have taken mortal wives, who bore them offspring described as ‘the heroes of old, the men with a name’. The author supports the view that this reflects Greek influence on the Old Testament, and offers thoughts on the ways in which the Greek material was transmitted, and how the comparison can enhance our understanding of both the Greek and the Biblical narratives.