Chapter 3 further expands on systemic effect and argues that impact of the Rome Statute on domestic legal systems is better described as “internalization.” Internalization is the process whereby states demonstrate compliance with international law. The chapter examines internalization in Afghanistan, Colombia, Libya, and Uganda. Indicators of systemic effect, in the form of internalization, include implementation of domestic laws covering the Rome Statute crimes; the establishment of new or specialized investigative units or chambers to investigate or prosecute Rome Statute crime; or (genuine) national proceedings for Rome Statute crimes. The chapter concludes that “internalization” is taking place in all the countries under study. Laws have been amended, and new institutions established. National proceedings took place in all four countries. However, domestic proceedings in Colombia and Uganda demonstrate that it can be complex to assess for “genuineness.” In fact, most domestic proceedings are taking place in Colombia, a country with a robust legal system. This may mean that the Court has the most impact where it is needed the least.

Though lauded as radically generically innovative, David Foster Wallace’s work – both in characteristics and range – has a number of antecedents in nineteenth-century Anglophone and other traditions, which ultimately illuminate the relationship between the two main hallmarks of his work: ethical gesture and stylistic complexity. As his reviews and comments on other authors and cultural trends make clear, Wallace was both a debunker of grand claims (in the manner of the Melville who said Emerson gave the impression that “had he lived in those days in which the world was made, he might have offered some valuable suggestions”) and a maker of such claims himself. He was obviously deeply indebted to – and may even have represented a baroque final development of – a consistent nineteenth-century American emphasis (strengthened through the movement for the abolition of slavery) on sympathetic identification as a primary social resource. Wallace combines nineteenth-century literary figures’ blend of the essayistic with the fundamental trajectory of the bildungsroman, within fiction and nonfiction. Through an analysis of Wallace’s forebears and influences, focusing on the American nineteenth century, this chapter proposes that Wallace in fact played the role of a nineteenth-century novelist (at once cultural commentator and artist) in a postmodern context. While Wallace’s ethics always seems starkly accessible, his brand of literariness does not. This is because he brings two central animating features of nineteenth-century American writing’s interventions to their most acute, impossible point: Sympathy becomes incapacitating dissolution, and educative realism approaches unreadability. Understanding this background also provides a new context for the recent diminution of Wallace’s personal reputation: His ethical appeals are not only a hypocritical contrast to private conduct but also an indispensable strategy for a formal obscurity that still sought transformative relevance.